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  • Hi, my name is Tom Antos and today I’m going to show you what to keep in mind when blocking

  • a simple dialogue scene. Things you should avoid and aim for when deciding on the framing,

  • angles and lens choices. Here is a simple scene where two people are

  • having a conversation. The simplest and most common way to film a scene like that is with

  • 3 camera angles. A wide shot that frames both of our subjects, and two over the shoulder

  • shots that move in a bit closer for each of the subjects.

  • Now as simple as this 3 camera setup is, I still very often see people make the most

  • basic of mistakes when setting it upAll because they either never learned the fundamentals

  • of good cinematography or because they forget it the second theyre on location. It’s

  • real good to know the theory but if you don’t ever remind yourself to apply it when actually

  • setting up your scenes then it’s useless. Some of the things I see people forget most

  • often is the rule of thirds. If you don’t know it then let me quickly explain it. Rule

  • of thirds is simply dividing the screen into 3 equal parts vertically and horizontally,

  • and using those lines when framing your shots. What that means is that you should frame your

  • subjects on those lines or in one of the 3rd portions of the screen to avoid putting things

  • dead center. Like if you have a very clearly visible horizon line, instead of putting the

  • horizon dead center, it’s best to tilt up or down to have the horizon fall on one of

  • the lines. This just makes the shot balanced a lot better. Same if youre framing a person,

  • if you put the subjects head in the middle like most people do when taking a vacation

  • photo, then you get this. But if you quickly pan to place the subject on one of the lines

  • and then tilt to have their head fall on the other line then right away you get a well

  • balanced shot. AGAIN just because it called the rule of thirds doesn’t mean its an actual

  • rule you always have to follow. There’s many exceptions where this doesn’t apply,

  • like if youre trying to show the importance of your subject and stress the fact that they

  • are actually the center of attention, in which case you would frame them in the middle like

  • you see here. This is a shot from a music video I did where I wanted to switch the viewers

  • attention from the first girl with the umbrella to the homless girl. But even here you see

  • that I keep her head on the top line, because if I were to keep it completely in the center

  • then we’d end up with a lot of empty, and pointless space above her head.

  • Going back to our scene with the two girls talking. A lot of people make a mistake by

  • framing both subjects dead center in over the shoulder shots like these. The reason

  • why this doesn’t work is because you end up seeing the back of the head of one of your

  • subjects. In this type of a shot it’s better to give 2 thirds of the shot to the main subject

  • by moving the camera over a bit and framing the less important subject in only 1 third

  • of the frame. And also to pan down so the subjects eyes fall on the top line. This way

  • we eliminate this empty space above their head. We do the same thing in the other angle.

  • As you can see It’s a small difference but it makes the shots look a lot more balanced.

  • Another thing to know before you attempt to setup a scene is what effects you get with

  • different types of lenses. Like, how depth of field or perspective is affected when using

  • long, telephoto lenses versus wide angle lenses. You can learn more about that by watching

  • my previous tutorials. In short though, long lenses such as this

  • 100mm Im using here has a tendency to make your shots look compressed. Things that are

  • in the background seems larger or closer when compared to your subject and it’s also easy

  • to hide the surroundings with a long lens, since youre only showing a small portion

  • of the background. That way you can make the shots be more about your subjects and not

  • where they are. As opposed to wide angle lenses such as this 35mm I’m using here. Where

  • you right away get a sense of where the scene is taking place. The framing of the subjects

  • doesn’t change here, we still see the girls full frame in both version but the perspective

  • changes and along with it the mood of the shot. Also when we use the long lenses in

  • the close up over the shoulder shots it tends to make the two girls look like theyre

  • a lot closer to each other. Makes the shot feel more intimate since all we really see

  • are the girls. But if I were to again use the 35mm lens then the shot looks a lot more

  • relaxed, and natural, since the 35mm lens on a 35mm image sensor more or less matches

  • the perspective of a human eye. Which is not the case when shooting with a long lens.

  • So as you can see the lens choice can drastically affect the mood of your shots... but unfortunately

  • a lot of the times I see people make mistakes where they switch from one angle to another

  • angle where they use a completely different lens, and because of that they suddenly change

  • the mood of the scene. Most of the time they are unaware of that, so theyll keep on

  • cutting back and forth from one angle that is shot using a long lens to a another angle

  • that’s shot on a much wider lens which makes the editing and lens choices that much more

  • obvious because theyre in fact constantly changing the way the scene feels.

  • So next time youre filming, if you decide to go for a more relaxed feeling to your scene

  • then choose a lens that looks that way and stick with it as you change the angles. You

  • can always reframe your shots from a wide shot to a close up by moving your camera closer

  • to the subject. It doesn’t mean that you can’t change the lenses from shot to shot

  • but try to keep them similar. A 35mm lens in one angle and a 50mm lens in another is

  • a small difference and doesn’t change the mood that much. But 35mm to a 100mm is drastically

  • different. Another thing to keep in mind when reframing

  • your shots is to make sure youre shots are different enough from each other so that

  • later on when you edit the scene you don’t end up with a jump cut. Jump cuts occur when

  • you edit two different shots that are actually too similar to each other and end up creating

  • a noticeable jump from one shot to the other. Something that you want to avoid in most situations.

  • Like you see here. I cut from a shot of the two girls to a single shot which looks too

  • similar. I only moved the camera a few feet closer and kept the same lens. But if I were

  • to move in even closer to the girl creating a noticeably different framing then the cut

  • works a lot better. Same thing goes if you want to change the angle and not the framing.

  • Make sure you move your camera to a noticeably different angle so that the two angles cut

  • well together later on in editing. So in short, next time youre setting up

  • your scene remember to pay close attention to the framing. Using the rule of thirds is

  • a good guide. Also, remember to keep your lens choices consistent

  • so your scene doesn’t drastically change the mood from one angle to the other.

  • And finally, remember to make each shot, whether it’s the angle or the framing different

  • enough from the other shots so you avoid jump cuts later on when you put the scene together

  • in editing. That’s it! Hope this helps you next time

  • youre out there filming. Good luck.

Hi, my name is Tom Antos and today I’m going to show you what to keep in mind when blocking

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如何拍攝對話場景。角度、取景和三分法--教程17 (How to Film a Dialogue Scene: Angles, Framing & Rule of Thirds - Tutorial 17)

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    曾瑜棠 發佈於 2021 年 01 月 14 日
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