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  • North and South Part Two

  • You're not to go upstairs, Miss Margaret.

  • Why not?

  • Dr Donaldson's up there with your mama.

  • He's given her a thorough examination this time.

  • Does he say what it is?

  • She's... She's poorly at the moment, but she'll get better directly,

  • so you're not to worry, miss.

  • - Ah. - Dr Donaldson.

  • Yes. Ah, thank you.

  • May I trouble you to come into the sitting room?

  • Yes, certainly.

  • You may go, Dixon.

  • Very well, miss.

  • What is the matter with Mama?

  • Well, your mother has expressly asked me not to tell you.

  • Please tell me, Doctor. As her daughter, I ought to know.

  • Are my suspicions correct? Tell me the truth.

  • The latest discoveries of medical science have given us great powers of alleviation.

  • - But no cure? - No certain cure, no.

  • Thank you.

  • My father, ought he to be told?

  • Well, it's difficult to give advice, but since you ask me,

  • I'd say do nothing precipitate.

  • No, my visits by themselves will deepens concern,

  • so make him all the better able to face the inevitable.

  • Yes, allow him to find out in his own good time and then comfort him.

  • Will there be much suffering?

  • That we cannot tell. It depends on her constitution.

  • I shall do my best to provide her with all the... all the relief possible.

  • Thank you.

  • Good day, Doctor.

  • Good day, Miss Hale.

  • May I, Mama?

  • Yes, of course, child.

  • I thought I would bring my work up here.

  • - Company for you. - That's very kind of you, Margaret.

  • What are you making?

  • It's a new collar.

  • - Do you Iike it? - It's very pretty.

  • Mama, oh, Mama, let me be your nurse.

  • Oh, no, Margaret. That's Dixon's job.

  • Please let me try, at any rate.

  • You don't know what you're asking.

  • Oh, yes, I do.

  • You've not been seeing Dr Donaldson?

  • Oh, surely he wouldn't break his promise to me.

  • Yes, Mama, he did, but don't blame him. I made him tell me.

  • That was very wrong of you, Margaret. I didn't want you to know.

  • But I'm glad that I know, Mama. Well, now I can help look after you.

  • Dixon and I thought you would shrink from me if you knew.

  • How could she?

  • How dare she think I don't love you enough to want to take care of you?

  • You mustn't hate her.

  • I'm sorry, Mama.

  • I will try to be humble and learn her ways.

  • If you will only let me be in the first place.

  • I so long for that.

  • When I was away in London, I used to be afraid that you would forget me.

  • I'd cry myself to sleep at nights imagining it.

  • And I used to think,

  • ''How will Margaret ever bear Helstone after the luxury of Harley Street?''

  • And all the time I pined for Helstone and its simple ways.

  • When I was at Helstone, I was forever wanting to leave it.

  • And now I shall die far away from it.

  • Mama, you must not talk Iike that.

  • We will have you back at Helstone yet.

  • We'll see.

  • I've taken the Iiberty of making you a fresh lemon drink, ma'am.

  • Thank you, Dixon.

  • Why, bless her.

  • She's as sweet as a nut.

  • Ma'am?

  • Yes, Dixon, she knows.

  • You saidst, Nick, on Wednesday sennight, afore a fortnight was up

  • we'd have the masters down on their knees begging for us to come back.

  • Well, where am them?

  • You'm winning. Tha' must nae fret.

  • Patience, John. Patience.

  • What use is cowing patience?

  • I got a missus at death's door.

  • Don't stand dawdIing, miss. Come on in.

  • This is Mr Boucher, neighbour.

  • Morning, Mr Boucher.

  • Bessy, how are you?

  • I'm telling you, Nick, my missus is sinking away. 'Tis pitiful to see her.

  • You're drawing your five shillings of union money, ain't you?

  • Five shillings a week may be good enough for thee with but two mouths to fill.

  • - I've got six children, six of them. - It's hard for you, John.

  • But you must hold on.

  • I'll be damned to you, damned to the whole sowing worId, masters and unions.

  • - To hell with you! - Women, John. Women.

  • Take Bessy a stroll, will you, Margaret?

  • Come on, Bessy.

  • Hou'd up, man.

  • Thy shall na' claim.

  • What's mine is thine if thou't want.

  • Here, take it. Here.

  • Soon as you get your five per cent, pay me back.

  • We'll never get that five per cent, you must know that.

  • Then we fall, all honest.

  • As you've witnessed, John, starvation's a cruel agony,

  • so let death come at a gallop.

  • If we'm doomed, then thou'll want these paltry coins. Here, take it.

  • And I hope they might bide you and yours to the victory.

  • If I takes this money,

  • I'm one of you, got it?

  • I'm a proud man, Nick, and I'll out-union you, you see if I don't.

  • Take it.

  • Well, I think we've come to the end of our lesson for tonight, Mr Thornton.

  • Aye.

  • Aye, we've done a good stretch.

  • What a work, Mr Thornton, is the lliad.

  • What a work.

  • The heroes standing or falling by their own personal courage.

  • Faithful and determined.

  • A lesson to all of us, especially at a time Iike this.

  • Oh, by the way, Mr Hale, I've been intending to mention it.

  • - What is that, Mr Thornton? - I'm giving a dinner party next week.

  • I would be very happy to invite you and Mrs Hale.

  • Very kind of you.

  • Margaret, Mr Thornton is inviting your mother and me to dine with him.

  • It's next Thursday.

  • The other guests will be the principal manufacturers in the town.

  • But won't we be a Iittle out of place?

  • Not at all. They'll be delighted to meet you.

  • They're all very keenly interested in education.

  • It is kind of you, Mr Thornton,

  • to say that by meeting your friends my father might find pupils.

  • It's very Iikely.

  • I don't know about your part of the worId, but in this,

  • much can be achieved over a good meal.

  • Mr Thornton, I'm afraid that my mother may not be well enough to attend.

  • She is a Iittle poorly at the moment,

  • but I'm sure that the notion of going out to dine

  • will put fresh heart into her.

  • I'm sorry to hear that Mrs Hale is unwell.

  • If she cannot attend, then I fully understand.

  • Might I make a suggestion?

  • Miss Hale, would you grace my table by accompanying your father,

  • whether Mrs Hale can come or not?

  • - I attend? - Yes.

  • Mr Thornton, I appreciate your kindness and your courtesy,

  • but you put me in something of a predicament.

  • What is that, Margaret?

  • You know my feelings towards the strike, Papa.

  • I've found friends among the poorer people

  • and I've seen the hardships they're suffering.

  • Miss Hale, I admire your scruples.

  • - But they are unwarranted. - Unwarranted?

  • If you've seen suffering, they've brought in on themselves.

  • - I didn't start this strike. - They are only demanding a just wage.

  • What is a just wage?

  • Ten shillings a week? Ten pounds? A hundred? What is a just wage?

  • I don't know.

  • All I know is that they want a better Iife.

  • So do we all, but what we've got is here and now,

  • and it's governed by strict economic principles.

  • A delicate balance between cost of labour, market, consumption and supply.

  • I do not understand the details of trade, Mr Thornton.

  • Then it's a pity.

  • And it's a pity the workers don't take the trouble to find out either.

  • If wages keep on going up and up,

  • your gold sovereign won't be worth a brass farthing!

  • You can't just up wages up like that and they're fools who think they can!

  • I'm sorry. I spoke hastily and...I...fear rudely.

  • Mr Hale, for all of your lessons, I'm still a coarse manufacturer.

  • Miss Hale...I hope you will forgive me.

  • Certainly.

  • (Piano scales)

  • Jane, would you go and ask Miss Fanny to stop that noise?

  • Yes, ma'am.

  • (Piano stops)

  • (Discordant notes)

  • (Piano lid thuds)

  • How dare you, Mother! How dare you interrupt my practising!

  • I can't stand your row, so you'll stop it.

  • - I'll what? - We'll have no more piano.

  • This is the first time, the very first time in my life,

  • I have been able to practise without all the din of the works out there.

  • Well, I'd give my right arm to have it back.

  • - What? - The machinery back.

  • There's your music.

  • It's the only music I want.

  • You've no culture, Mother. Do you know that?

  • For all your mother-of-pearl inlay,

  • you'll stay common till your last breath.

  • I'd rather be common than go soft like my children.

  • You and your brother make a fine pair.

  • It's because we've got accomplishments, isn't it?

  • Well, you can't get far in this worId without accomplishments,

  • and my fingering's one of them.

  • Walter says I've got perfect fingering.

  • Well, you take your opportunity... and marry him.

  • Mother!

  • If I know Slickson's son, he's out for our money.

  • Well, we've got a good chance of ending up as paupers,

  • so you make sure of him while you can.

  • It's enough to bring on one of my swooning fits.

  • I'm delicate.

  • Well, I've just seen Hamper.

  • He wants to come to terms with them, give them a two per cent increase.

  • - Well? - I've told him we can't.

  • It'd be suicide. He's gotta wait till the Irish workers arrive.

  • When do they arrive?

  • The agent in Dublin won't give me a specific date.

  • I pray to God it's soon.

  • Now, just you hammer it into those mill owners at dinner on Thursday,

  • Irish workers are the only answer.

  • Aye.

  • Mother, can I wear my blue silk dress?

  • - Eh? - At the dinner on Thursday.

  • For goodness sake, girI, wear what you like.

  • Thank you.

  • By the way, Mother, I've invited the Hales.

  • Oh, I see.

  • Fanny, would you like me to invite

  • your dancing master and his wife to attend as well?

  • There is a marked difference between Mr Hale and a dancing master.

  • Is there?

  • How you can bother about some teacher of Greek at a time like this...

  • It's an indulgence, Mother.

  • I sweat enough. I think I deserve it.

  • You'll have to go, Margaret.

  • Your father cannot attend alone and I cannot manage it, I'm afraid.

  • I know, Mama, I know.

  • Thank you, Dixon.

  • What dress will you wear?

  • I've not thought about it.

  • You've had no new dresses this season, have you, child?

  • But there is the dress you wore for Edith's wedding.

  • Yes.

  • Dixon, go and find it for me, will you?

  • Ma'am.

  • What's wrong, Margaret? Can't you tell me what it is?

  • There are people in the town starving

  • and yet here am I to go to some sumptuous meal.

  • Well, you're doing it because of your father.

  • I'm so lost, Mama. So lost.

  • It'll need some airing.

  • Get the smell of lavender out. It's a bit overpowering.

  • But we didn't want any moths, did we, ma'am?

  • Hold it up against you, Margaret. Let me see.

  • Hmm. She'll be a picture, won't she, ma'am?

  • Yes, Margaret, you'll do.

  • Oh. O=1 h=2 .=15

  • Are you really going to dine at Thornton's, at MarIborough Mills?

  • Yes, Bessy.

  • But they visit with all the first folk in Milton.

  • Do you think we're not good enough to go?

  • Well, you see, they're thinking a deal of money there

  • and I reckon you've not got much.

  • No, that's very true. But it is not the first grand dinner I've been to, Bessy.

  • So what'll you wear, miss?

  • Pink silk, a gown I had for my cousin's wedding a year ago.

  • It is my very best.

  • That'll do.

  • (Coughs)

  • I shall be loathe to have you looked down on.

  • Bessy, dear, you are so kind

  • with worrying about what I shall look like at the dinner.

  • I feel so wicked and guilty about going there at all.

  • Oh, no, miss, you mustnae say that.

  • There's some's meant to toil and moil all their lives,

  • others to go to sumptuous feasts.

  • Maybe you're one o' them.

  • I wish I could see you, all dressed up, miss.

  • I'm so sorry your son's not yet here, Mrs Thornton.

  • The old story, Mr Slickson, business interfering with pleasure.

  • - But he'll be here directly. - Splendid. Look forward to that.

  • Let's join the ladies.

  • Mrs Thornton, I must compliment you on your house. It is most gracious.

  • Though I wonder if perhaps the closeness of the mill

  • doesn't make it a little unpleasant at times?

  • Never. There's not another factory like it in Milton.

  • Do you know, one of the rooms is 220 square yards.

  • Is that a fact?

  • I enjoy listening to good music, but I don't play well myself.

  • We sold our old piano when we came to live up here.

  • I wonder how you can exist without one.

  • You have good concerts here, I believe.

  • Oh, yes, delicious. But too crowded.

  • The directors let all kinds of people in quite indiscriminately.

  • But one is sure to hear the newest of music there.

  • I always have a larger order to give to Johnsons the day after a concert.

  • Hey, Thornton, we thought you'd never get here.

  • Mr Slickson, yes, forgive me.

  • I got involved with some people, couldn't get away.

  • Well, you'd best get yourself a drink. I'm two up on you already.

  • I will. Thank you.

  • THORNTON: Come, now, Mr Slickson. Not all Londoners are like that.

  • I'm telling you, they're all rogues and knaves in London.

  • They couldn't survive a day without us.

  • Agents and middlemen, spongers, the riff-raff of creation.

  • That's your London. Am I right, Miss Hale?

  • - Well, I... - I'm right.

  • There is refinement in London, Mr Slickson.

  • Refinement can be bought like anything else.

  • You take that fellow who comes up here to play the piano

  • at our gentlemen's smoking concert, what's his name?

  • - Frank Hally. - Aye, that's right, Hally.

  • - You have Frank Hally up here? - Once or twice come the winter.

  • When there is a Hally recital in London, everyone simply flocks.

  • That's what I'm saying, we've got the money and he knows it,

  • so up he comes like magic, giving us a tune or two.

  • He knows where the brass is does Hally.

  • Well, ladies, shall we withdraw?

  • My son has a serious matter to discuss.

  • Not so serious, Mrs Thornton. It'd be an insult to your table.

  • Thank you, Mr Slickson. This way, ladies.

  • The worId takes on a rosier hue once you've got a nicely lined gut.

  • Very true.

  • - Yes. - Yes.

  • - Cigar? - Yes.

  • Oh, thank you.

  • Hey, Thornton, why the coffee-pot face all of a sudden?

  • A matter I didn't want to broach before dinner lest the meal should be spoilt by apprehension.

  • The Irish landed this morning. They've been on the march all day.

  • - Bring 'em in before there's trouble. - Right.

  • Come on, move. In.

  • Come on. Come on.

  • Line yourself up against the wall down there.

  • No need to cross yourselves. We're not cowing heathens here.

  • Load of Irish papist rebels.

  • Come on, get yourselves inside.

  • Keep 'em moving!

  • Come on, in here. Line up against the wall, all of you.

  • Get in before there's any trouble.

  • Come on, keep moving.

  • If there is anything we can do to help your mama get well,

  • you must be sure to tell us.

  • Thank you.

  • I've got a Dr Goodman's electric coil.

  • You hold the handle and tingles go right up your arms.

  • I have it for toning myself when I am rundown.

  • Then I have got a patent beef tea extractor.

  • It is best to take your nourishment fresh rather than out of a bottle.

  • I know what she would like.

  • - My India rubber water bed. - Water bed?

  • Yes, it's a new kind of invalid mattress just come on the market.

  • You fill it with warm water and it's ever so comforting.

  • Where is Mama going?

  • She ought to be mixing.

  • Excuse her manners.

  • Come on, get in there.

  • The sooner you're in, the sooner you'll get some soup. Now, get moving.

  • Irish.

  • Irish.

  • - Out there in the yard? - Aye.

  • Well, come on, let's have an eyeful.

  • Excuse us, ladies.

  • SLICKSON: Ah, there you are. Sight for sore eyes, aren't they?

  • Mr Thornton, who are they?

  • Irish workers.

  • So you've carried out your plans.

  • Yes. I had no alternative.

  • - Irish? - In the mill yard, I tell you.

  • - He's taken on Irish, you say? - We're in cowing hell.

  • - Now, then, John, take it calm. - Calm?

  • Aye. We thought it might come to this.

  • (Coughs)

  • - What are you gonna do? - What's your plans, Nick?

  • - Burn down their cowing factories? - Calm, I told you.

  • What's the next step?

  • We decided to hold together through thick and thin.

  • Bloody right.

  • But there's to be no going again' the law of the land.

  • We've got right on our side.

  • We don't wanna mix up right with wrong.

  • - Not do nothing? - No violence, that's what we decided.

  • No violence, come what may.

  • Now, look here, I've got starving children.

  • A week ago I was gonna ask for me job back, only you said stand firm,

  • trust the union, they'll see you through.

  • You didn't tell me I was signing me death warrant.

  • It were a majority decision.

  • Cow your majority decision! My babs are starving!

  • What about you? Are you gonna be like him, play the gentle martyr?

  • Or are you a man, a man with valiment about you?

  • - I don't know. - Well, make up your bloody mind.

  • Die fighting, that's what I say. Die fighting.

  • (Bessy coughs)

  • Master. Oh, Miss Margaret, thank God you're back.

  • - What? - Dr Donaldson's here.

  • She's over the worst of it, but... I thought she was dying.

  • - Dying? - Ah, Mr Hale.

  • - What has happened to my wife? - She's calmer now.

  • The opiate is taking effect.

  • The spasms were very bad. No wonder they frightened your maid here.

  • Spasms? What is wrong with her?

  • She'll rally this time.

  • This time? What are you saying? How ill is she?

  • - She's very ill, I'm afraid, sir. - But...

  • Margaret, did you know about this?

  • You kept it from me. That was cruel.

  • No, no, sir, it wasn't cruel.

  • Miss Hale was acting under my direction.

  • (Mutters)

  • My wife.

  • My dear wife.

  • My dear wife.

  • Your mother will spend much of her time in bed from now on, I'm afraid.

  • Have you an invalid mattress?

  • No. But we've been offered one.

  • Can you get it tomorrow?

  • - Yes, that would be fine. - Good.

  • Thank you for all that you've done, Doctor.

  • Good night, Miss Hale.

  • Good night, Dr Donaldson.

  • Mama! M=16 a=8 m=4 a=8 !=59

  • We're tyrannised by the masters, betrayed by the union.

  • - We're on our way. - Well, what are we waiting for?

  • - Let's set fire to the mill. - No, no, Carter, not that.

  • Well, what do we do?

  • (Footsteps)

  • What do we do, then, Boucher? What do we do?

  • On your way home, you call on your neighbours,

  • and through the night their neighbours call on theirs,

  • till all the town knows.

  • We all meet before Thornton's gates at nine in the morning.

  • Not a minute before. Up until then we stays indoors.

  • Let the magistrates think we'm all taking it lying down.

  • About nine o'clock, quietly through the streets in ones and twos,

  • like as if we were to chapel,

  • we arrives at Thornton's.

  • And then...God help him.

  • (Knocks)

  • (Knocks)

  • (Lock turns)

  • - Good morning. - Oh, it's you, Miss Hale.

  • - Yes. - Anybody with you?

  • - No. - You sure?

  • Yes, of course.

  • Half a mo. H=40 a=8 I=26 f=25 a=8 m=4 o=14 .=15

  • - You'd best come in quickly. - Thank you, Williams.

  • - It's quiet, in't it? - Yes.

  • - It's too quiet. - The streets are deserted.

  • Aye, the devil's at work somewhere.

  • Mama, it's Miss Hale.

  • What does she want, I wonder?

  • Perhaps she's trying to make friends.

  • The Hales were the first to leave last night.

  • I think it's because she had a quarrel with John.

  • - Madam, it's Miss Margaret Hale. - Show her in, Jane.

  • MARGARET: Thank you.

  • - Morning, Miss Hale. - Morning, Mrs Thornton.

  • Good morning, Miss Thornton.

  • I know I'm intruding at what must be a most worrying time...

  • If you want to see my son, you can't. He's in the mill, busy with the Irish.

  • No, it is Miss Thornton I want to speak to.

  • Me?

  • You said last night you had an invalid mattress.

  • I'm afraid my mother has taken a turn for the worse,

  • so we should be most grateful if we could borrow it.

  • I'm sure we can arrange that, Miss Hale.

  • - Thank you. - (Crowd approaching)

  • What's that?

  • What's that noise?

  • They're at the gates.

  • Fanny, fetch John from the mill. They'll batter them down.

  • No, no, he's safer where he is, Mama.

  • Aye, perhaps he is.

  • Up with the working man!

  • (Man shouts)

  • Down with the tyrants!

  • Down! Down! Down!

  • ALL: Down with the tyrants! Down with the tyrants!

  • Come on! Are you ready?

  • Away with it, lads!

  • Heave!

  • ALL: Heave!

  • Heave! Heave!

  • Heave!

  • Heave! Heave!

  • Heave!

  • Heave! Heave!

  • Heave!

  • Heave! Heave!

  • Williams. Williams!

  • You wanted me, sir.

  • Down the back into Pinner Lane. Do as we planned.

  • - Soldiers, sir? - Aye.

  • WORKERS: Heave!

  • Heave!

  • What is Mr Thornton doing?

  • He's keeping them from the Irish till the military arrive.

  • Heave! Heave!

  • Heave! Heave!

  • Hold it, Thornton! Hold it, Thornton!

  • We want Thornton!

  • ALL: We want Thornton! We want Thornton!

  • We want Thornton!

  • We want Thornton! We want Thornton!

  • Thank God he's come in.

  • But they'll attack the house, Mama.

  • Aye, if the military don't arrive in time.

  • We want Thornton! We want Thornton!

  • We want Thornton!

  • We want Thornton! We want Thornton!

  • - Thank God you're safe. - I've sent for the military.

  • Miss Hale.

  • - They'll bring them to reason. - Yes, they will.

  • MARGARET: What kind of reason?

  • The only reason wild beasts ever understand.

  • We want Thornton! We want Thornton!

  • Peace, brothers! Peace, brothers!

  • Peace! P=10 e=7 a=8 c=23 e=7 !=59

  • The mill, brothers, the mill.

  • Let's do for the cowing Irish!

  • They've turned to the mill.

  • Fanny, come away from that window.

  • Get me a tool. Piping, anything.

  • We'll have this down.

  • - Mr Thornton, go down this instant. MRS THORNTON: Go down? Are you mad?

  • - If you are not a coward, Mr Thornton. - Don't listen to her, John.

  • Go and speak to your workmen as if they were human beings.

  • Don't let the soldiers cut them down.

  • They are poor, suffering men driven mad.

  • If you have any courage, go down and speak to them man to man.

  • John!

  • Mr Thornton!

  • Mr Thornton.

  • Mr Thornton, I...

  • Bar the door behind me. My mother and sister will need that protection.

  • You too, Miss Hale.

  • Hey, look! It's Thornton!

  • Thornton!

  • Come on, we'll have him, lads!

  • - Thornton! - Quiet! Hold it, everybody! Hold it!

  • Quiet!

  • Quiet!

  • - Gentlemen... (Shouting)

  • Quiet!

  • Don't ''gentlemen'' us!

  • You've done wise, you've done wise, Mr Thornton, to give yourself up.

  • We wouldn't have wanted to harm your family,

  • but harm them we would have done if they'd stood in our way.

  • You've been put on trial, Mr Thornton,

  • and you've been found guilty on all points!

  • (Shouting)

  • You wouldn't expect us to show you any mercy, would you?

  • Cos you won't get none!

  • - Who is she? His sister, is it? - Don't know.

  • - Get back. Get back inside. - No.

  • - They're desperate. - I'll speak to them.

  • No, please.

  • I appeal to you!

  • (Groaning)

  • I appeal to you. Use no violence.

  • Your cause cannot be won by violence.

  • You have grievances, I know, and they shall be answered.

  • How dare she speak on our behalf!

  • MARGARET: Go to your homes now.

  • The soldiers are sent for. They're coming.

  • Do not let this end in slaughter!

  • For your own sakes, and for the sake of those dear to you,

  • go to your homes peacefully.

  • What about the Irish?

  • Shut up!

  • Hey, shall they packed off back home again? Let him tell us so.

  • Well?

  • I shall do nothing under threat, let that be clear to all of you.

  • (Shouting)

  • My actions are my own!

  • Hear that, lads? He won't even listen to us!

  • His eyes are shut. His ears are closed.

  • Well, we'll cowing well open them for him, shall we?

  • What are we waiting for?

  • No! No!

  • Oh!

  • Who's this?

  • It's nothing. I'm all right, all right.

  • You do well.

  • A woman comes among you,

  • pleads with you for your own sakes to see reason, and this is how you treat her.

  • You do well!

  • It were meant for thee, only thou were sheltering behind her.

  • (Shouting)

  • I see.

  • - You all right, Miss Hale? - Yes, yes, I'm all right.

  • Well, I'm not sheltering now.

  • Come on! Whatever is your will, do it!

  • You'll never move me from what I'm determined. Not you!

  • Not you!

  • Hey, stop! Stop!

  • Come back!

  • Looks like it's thee and me.

  • The woman, sir, the woman.

  • Miss Hale. Miss Hale?

  • Miss Hale.

  • SOLDIER: Patrol, halt.

  • You two, mill door. You two, lodge. Main gate.

  • Come on, Sergeant.

  • Miss Hale?

  • - Miss Hale. - Did they do that, sir?

  • - Fetch a doctor. - We're waiting to prefer charges...

  • - A doctor! - Yes, sir.

  • Sergeant, a doctor. Go on, run.

  • - I'll wait here, sir, shall I? - Eh?

  • - The charges. - Aye, I'll be back down. The door.

  • Oh, my Margaret.

  • My Margaret.

  • Nobody knows what you are to me.

  • It's all over, Mama.

  • We've won.

  • Won? Oh, stop that silliness.

  • - Mother, she was hit. - What?

  • - Defending me. - Oh, the blood, Mama. The blood!

  • Fetch Jane. Tell her to bring wadding and water.

  • Well, go on!

  • She... She fainted. Shock.

  • She seemed to be all right and then she suddenly collapsed.

  • - We must get a doctor. - I've sent for one.

  • Leave her to me. You've other things to attend to.

  • - Those Irish'll be frightened to death. - Thank you, Mother.

  • Well, go on.

  • Aye.

  • Defend my son, did you?

  • Oh, Jane, come here.

  • Hold that bowI.

  • Did you see what happened, Jane?

  • Yes, Miss Thornton. We all had a full view from upstairs.

  • You mean all the servants saw her behaviour?

  • Oh, dear. O=1 h=2 ,=3 d=6 e=7 a=8 r=9 .=15

  • What are you oh dearing about, Fanny?

  • She threw her arms around my brother and hugged him.

  • - What? - In front of all those people.

  • Made a right show of herself, didn't she, Jane?

  • - Yes, miss. - Embraced him? Publicly?

  • Very bold and forward.

  • Put her arms around his neck.

  • - Why didn't you tell me? - You shut me up, didn't you?

  • Well, you've made sure of him now, haven't you?

  • My congratulations.

  • - You charge only the ringleaders? - Do you want the whole town in prison?

  • - No, but... - Keep it to as few as possible.

  • - (Knocking) - Make an example of them.

  • Property must be protected. We don't want this outrage again.

  • - You're prepared to identify 'em, sir? - Those I want to.

  • You catch them. I'll tell you which.

  • You'd better get the soldiers to march back to the outskirts.

  • You'd better talk to the captain about that, sir.

  • Aye, all right, I'll see him.

  • - Ah, Dr Lowe. - You sent for me, Mr Thornton.

  • Straight up the stairs. The young lady's in the drawing room.

  • Would you be kind enough to step round to the station, sir,

  • so we can write out the charge and you can sign it?

  • Aye, let's get it taken care of.

  • If the young lady doesn't recover, send someone to me at the station running.

  • - Yes, sir. - Come on, Officer. Hurry up!

  • Now, the wound is not deep.

  • You'll have a headache, but it'll pass.

  • What you need now is rest after the shock.

  • May I go home?

  • Not until you've rested a little.

  • No, I must go home.

  • I'm not sure that I can allow that, Miss Hale. I=26 '=29 m=4 n=20 o=14 t=13 s=17 u=22 r=9 e=7 t=13 h=2 a=8 t=13 I=26 c=23 a=8 n=20 a=8 I=26 I=26 o=14 w=18 t=13 h=2 a=8 t=13 ,=3 M=16 i=11 s=17 s=17 H=40 a=8 I=26 e=7 .=15

  • - I must. It's my mother. - Your mother? -=32 I=26 m=4 u=22 s=17 t=13 .=15 I=26 t=13 '=29 s=17 m=4 y=5 m=4 o=14 t=13 h=2 e=7 r=9 .=15 -=32 Y=21 o=14 u=22 r=9 m=4 o=14 t=13 h=2 e=7 r=9 ?=44

  • Yes, her mother is seriously ill, Doctor. Y=21 e=7 s=17 ,=3 h=2 e=7 r=9 m=4 o=14 t=13 h=2 e=7 r=9 i=11 s=17 s=17 e=7 r=9 i=11 o=14 u=22 s=17 I=26 y=5 i=11 I=26 I=26 ,=3 D=58 o=14 c=23 t=13 o=14 r=9 .=15

  • She mustn't know what has happened here. It will distress her.

  • Oh, I see.

  • Oh, dear, this will be seen.

  • There.

  • That's better.

  • Mother, she must lie down.

  • She's not fit.

  • You're a determined young woman, aren't you, Miss Hale?

  • May I...have a cab?

  • I think it is best, perhaps, not to go against the young lady's will.

  • My carriage is outside. If you will allow me, I will see you home.

  • - Thank you, Doctor. - Mrs Thornton.

  • - Goodbye, Dr Lowe. - Miss Thornton.

  • Then if you will excuse me, goodbye, Miss Thornton. Goodbye, Mrs Thornton.

  • Goodbye, Miss Hale.

  • I'll see your mother gets the invalid mattress.

  • That was one of the things you came for, wasn't it?

  • Yes. Y=21 e=7 s=17 .=15

  • Oh, miss. O=1 h=2 ,=3 m=4 i=11 s=17 s=17 .=15

  • You're back, then, safe and sound.

  • - Yes. - Heaven be praised.

  • - I had heard... - Heard what?

  • I've just come from the market and there's a tale going round...

  • You have been gossiping, Dixon? I'm surprised at you.

  • - Where is Papa? - He's in the dining room, miss, but...

  • Thank you.

  • Ah, Margaret.

  • This riot, what has happened?

  • There was a slight disturbance, Papa, and some shouting, but it was soon over.

  • That's not what I heard, miss.

  • Dixon, I was there.

  • It is time Mama had her medicine.

  • Yes, I will take it to her.

  • Thank you.

  • And tell her that the invalid mattress is going to be delivered.

  • Very well.

  • A moment, Dixon.

  • Whatever you've heard, you will not repeat it.

  • It will be distressing to my parents and I will not have them worried.

  • Is that the only reason, miss?

  • Your hair's not as it was when you went out this morning.

  • You're hiding something there, aren't you, miss?

  • Dixon, if you respect this family,

  • you will not question nor repeat anything concerning this morning.

  • It's because I respect this family that I've got to.

  • 30 years I've served your mother through thick and thin.

  • And now that she lies at death's door,

  • I've got to say what she'd want me to say,

  • exceeding my station though it might be.

  • You have always been faithful, Dixon. Well?

  • Don't think I'm for condemning you. It was natural.

  • The man you loved was being attacked.

  • When you threw your arms round his neck, you weren't thinking twice.

  • - Dixon, what are you saying? - I'm on your side, miss.

  • It doesn't matter how many people saw you.

  • Spinster though I be,

  • I tell you, it isn't just bad women that have such feelings.

  • And those who say different are lying.

  • Oh, Dixon. Dixon, does the whole worId think that of me?

  • What's wrong, miss?

  • I put my arms round him... to shelter him from that mob. I...

  • I thought...

  • Oh!

  • Well, fool that I am, I... I thought that...

  • (Sobs)

  • Where is she?

  • - She's gone home. - Gone home?

  • - She was a great deal better. - Surely she shouldn't have...

  • Don't distress yourself, John. There wasn't much of her hurt.

  • Some people faint at the slightest thing.

  • - Fanny. - Yes, Mama?

  • Leave the room. There's something I want to discuss with John alone.

  • Very well, Mama.

  • Ah. Yes, Mama.

  • About the Irish...

  • The Irish can wait. Would you shut the door, John?

  • Well? W=38 e=7 I=26 I=26 ?=44

  • She allowed her feelings to overcome her.

  • With a yard full of workmen as witnesses.

  • - I've no card to play against that. - She did it to protect me.

  • - She saw her opportunity and took it. - No, Mother, no.

  • We want no tales of you two passed from mouth to mouth round the town,

  • and they'll come, after that display out there.

  • So stop them in the only way possible.

  • Marry her, soon, for her sake.

  • Marriage? Mother, she wouldn't consider such a thing.

  • You've just had proof.

  • Short of going down on her knees and begging you, what more could she do?

  • Mother, it wasn't like that at all. What she did was in perfect innocence.

  • No innocence is that innocent.

  • Women aren't goddesses.

  • We're human.

  • Let's say she used justifiable cunning... because she's in love.

  • Mother.

  • You really believe that?

  • Well, I don't blame her.

  • How could I?

  • There was courage and determination. She's worthy of you, John.

  • Mother, I can't believe that she really cares for me.

  • - I've just told you. - You haven't seen...

  • Don't be a fool. Now, don't anger me.

  • You've put her on a pedestal. There's no pedestal.

  • She wants you and you want her. Well, don't you?

  • Yes.

  • She's made you honour bound.

  • - Honour bound? - She's compromised herself, and you.

  • Yes, it could be viewed in that way, I suppose.

  • What other way is there?

  • Mother, I know she doesn't love me.

  • But I shall take my chance.

  • If it's one chance in a thousand, I shall take it.

  • Now, I must give her time to rest, mustn't I?

  • And there are things I have to attend to here, but tomorrow morning...

  • Yes.

  • I shall go tomorrow morning.

North and South Part Two

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B1 中級 英國腔

North & South (1975) p2 (North & South) (Север и юг (1975) ч2 (North & South))

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    smileyayu 發佈於 2021 年 01 月 14 日
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