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YEARS, ACTORS AND WRITERS ARE
STRIKING AT THE SAME TIME,
BRINGING HOLLYWOOD MOVIE AND TV
PRODUCTION TO A HALT.
THE WRITERS GUILD HAS BEEN ON
STRIKE SINCE MAY AND SAG-AFTRA,
THE UNION REPRESENTING TV AND
FILM ACTORS, JOINED THEM LAST
WEEK AFTER NEGOTIATIONS WITH
STUDIOS BROKE OFF.
TWO OF THE KEY ISSUES AT THE
CENTER OF THESE STRIKES, HOW
STREAMING AND ARTIFICIAL
INTELLIGENCE ARE UPENDING THE
PROFITS., AFFECTING INCOME AND
WE SHOULD NOTE, THE NEWSHOUR IS
IN ACTIVE NEGOTIATIONS WITH
SAG-AFTRA TO REPRESENT SOME OF
THE EDITORIAL STAFF.
BROADCAST JOURNALISTS ARE NOT
COVERED BY THE SAME CONTRACT AS
THE ACTORS IN SAG-AFTRA
CURRENTLY ON STRIKE.
LET'S TURN NOW TO THE PRESIDENT
OF SAG-AFTRA WHO JOINS US NOW.
WELCOME TO THE NEWSHOUR.
FRAN: THANK YOU SO MUCH.
I AM A PROUD SUPPORTER OF PBS,
AND VERY HAPPY TO BE HERE.
GEOFF: WE APPRECIATE THAT.
MAJOR ACTORS GUILD STRIKES ARE
FAIRLY RARE, ESPECIALLY
RECENTLY.
LOOKING BACK AT THE CONTRACT WAS
RATIFIED IN 2020 BY SAG-AFTRA,
IT WAS APPROVED BY NEARLY 75% OF
THE VOTING MEMBERSHIP.
THERE WERE WAGE INCREASES,
IMPROVED RESIDUALS OR CONTINUED
PAYMENTS FOR VIDEO STREAMING.
FAST-FORWARD TO THE CURRENT
MOMENT, WHAT HAPPENED?
WHY WAS NOW THE RIGHT MOMENT TO
GO OUT ON STRIKE?
FRAN: I MEAN LOOK, I WAS NOT IN
LEADERSHIP THEN.
I DON'T KNOW WHETHER I WOULD
HAVE BEEN SO QUICK TO AGREE WITH
THAT CONTRACT.
BUT I THINK AT SOME POINT, YOU
REACH ACROSS ROADS -- REACH A
CROSSROADS.
THE SATURATION OF STREAMING AND
HOW IT HAS IMPACTED OUR INDUSTRY
IS EXPONENTIAL.
AND IT IS THE RISK -- IT HAS
DISEMBOWELED THE OLD BUSINESS
MODEL, WHICH IS THE ONE THAT
LET'S SAY, THE NANNY FLOURISHED
IN.
AND EVERYBODY UP AND DOWN THE
LADDER BENEFITED BY IT, AND MADE
MONEY OFF OF IT.
TO THIS DAY, THEY CONTINUE TO
GET MONEY FROM IT.
BUT THAT IS NOT THE CASE
ANYMORE.
WITH STREAMING.
AND ALL OF THE PROGRAMS THAT ARE
MADE FOR THE STREAMING CHANNEL,
YOU EXIST IN A BOX, IN A VACUUM,
AND THERE IS NO TAIL OF REVENUE.
AND OUR REVENUE SHARING THAT WAS
ESTABLISHED IN 1963, BORN 1960,
-- OR 1960, WHEN WE HAD THE BIG
STRIKE WITH THE WGA AND RONALD
REAGAN WAS PRESIDENT OF SAG.
THAT BUSINESS MODEL WAS
PREDICATED OFF OF TELEVISION
THAT RAN AS LONG AS THERE WERE
EYEBALLS AND ADD DOLLARS.
LONGEVITY WAS THE NAME OF THE
GAME.
THAT MADE SENSE.
BUT NOW, LONGEVITY IS NOT THE
NAME OF THE GAME.
SEASONS ARE VERY SHORT.
324, MAYBE, AND THEN IT IS OVER.
GEOFF: WHEN YOU ARE STARRING IN
"THE NANNY," THAT WAS A SEASON
THAT STARTED IN SEPTEMBER, RAN
THROUGH MAY, IT WAS 22 TO 24
EPISODES A SEASON.
NOW ON STREAMING, A SHOW IS
LUCKY IF THEY HAVE 10 EPISODES A
SEASON, AND THEY ARE LUCKY IF
THEY GET A SECOND SEASON.
WHAT DOES THAT MEAN IN TERMS OF
TAKE-HOME PAY?
FRAN: YOU CAN'T MAKE A LIVING.
THE ECONOMICS HAVE BEEN CHANGED
SO DRAMATICALLY THAT WE HAVE TO
MOVE OVER INTO THE POCKET WHERE
THE MONEY IS.
WE HAVE TO FOLLOW THE MONEY.
BUT EVEN WITHIN THE OLD
STRUCTURE, EVEN WITHIN PEOPLE
WORKING IN THESE LIMITED SERIES,
THEY DON'T WANT TO RAISE
MINIMUMS.
SO THEY ARE EXPECTING MY MEMBERS
WHO EARN MINIMUMS ON THEIR
PERFORMANCE TO EARN LESS THAN
THEY DID IN REAL MONEY IN 2020,
ALL THE WAY THROUGH TO 2026.
THEY REFUSE TO GIVE US WHAT THE
ECONOMY DEMANDS.
MOST OF THEIR LABOR UNIONS GET
COST-OF-LIVING RAISES.
GEOFF: WE SHOULD SAY WE
REQUESTED INTERVIEWS WITH STUDIO
HEADS AND WITH THE ALLIANCE OF
MOTION PICTURE AND TELEVISION
PERVERT -- TELEVISION PRODUCERS,
ALL OF WHOM DECLINED.
BUT THEY DID PROVIDE A
STATEMENT, PART OF WHICH READS
THIS WAY.
THE DEAL THAT SAG-AFTRA WALKED
AWAY FROM ON JULY 12 IS WORTH
MORE THAN $1 BILLION IN WAGE
INCREASES, PENSION, AND HEALTH
CONTRIBUTIONS, AND RESIDUAL
INCREASES AND INCLUDES FIRST OF
THEIR KIND PROTECTIONS OVER ITS
THREE YEAR TERM, INCLUDING
EXPRESSLY WITH RESPECT TO AI.
OR ARTIFICIAL INTELLIGENCE.
WHY WAS THIS DEAL, AS YOU SEE
IT, INSUFFICIENT?
WHAT ARE YOU ASKING FOR?
FRAN: FIRST OF ALL, DON'T
BELIEVE A WORD OF THAT.
THAT IS THE FIRST THING.
THE SECOND THING IS BECAUSE THE
REAL QUESTION IS THOSE CEOS ARE
MAKING $78,000 A DAY.
AND THE MAJORITY OF MY MEMBERS,
LIKE NINE OUT OF 10 OF THEM,
CAN'T EVEN QUALIFY FOR HEALTH
BENEFITS THAT HAVE A THRESHOLD
OF $26,000 A YEAR.
WHY WOULD WE GO ON STRIKE IF IT
WAS SUCH A FANTASTIC DEAL?
DO YOU THINK WE ENJOY BEING OUT
OF WORK?
DON'T BELIEVE A WORD THAT THEY
SAY.
WHEN THEY OFFER AS A DEAL AND
THEY SAY THAT A BACKGROUND
PERSON WILL GET PAID FOR ONE
DAYS WORK, WE WILL SCAN THEIR
BODIES, AND THEN WE CAN USE
THEIR LIKENESS IN PERPETUITY,
WHAT IS GOING TO HAPPEN TO THAT
BACKGROUND PERSON?
HE IS OUT OF WORK.
HE HAS BEEN REPLACED BY AI.
THAT IS UNACCEPTABLE.
THAT IS A DEALBREAKER.
GEOFF: YOU KNOW THE POSITION OF
THE STUDIO CHIEFS TO INCLUDE BOB
IGER, CEO OF THE ASH OF DISNEY
WHICH OWNS ABC, A NUMBER OF
CABLE NETWORKS, AND STREAMING
PLATFORMS.
HE MAKES THE CASE THE UNION IS
NOT BEING REALISTIC.
HE DOES HAVE A POINT, THAT THE
BUSINESS HAS CHANGED.
LINEAR TV IS FLATLINING.
STREAMING PLATFORMS ARE NOT
PROFITABLE ACROSS THE BOARD.
YOUR SHIP HABITS HAVE CHANGED.
-- VIEWERSHIP HABITS HAVE
CHANGED.
SETTING ASSIGNED THE MESSENGER,
BUT THE UNDERLYING MESSAGE.
FRAN: FIRST OF ALL, HOW DO YOU
INSULT ME BY SAYING THEY ARE NOT
PROFITABLE WHEN YOU ARE SITTING
THERE MAKING $50 MILLION A YEAR?
WHERE DOES THAT MONEY COME FROM?
THERE ARE PEOPLE WAY AT THE TOP
THAT ARE GETTING RICHER AND
RICHER.
AND THE FIRST PLACE THEY LOOK TO
SQUEEZE IS MY MEMBERS.
THAT'S WRONG.
THEY HAVE TO CHANGE THEIR
CULTURE.
THEY HAVE TO START THINKING, WE
ARE IN PARTNERSHIP WITH THESE
PEOPLE.
GEOFF: MOST SAG-AFTRA MEMBERS AS
YOU MENTIONED DON'T MAKE ENOUGH
MONEY TO MEET THE SAG-AFTRA
THRESHOLD TO QUALIFY FOR HEALTH
INSURANCE.
HOW LONG CAN THESE FOLKS STAY
OUT ON THE PICKET LINES?
HOW LONG WILL THIS GO?
FRAN: THEY ARE THE ONES THAT
GAVE A HISTORIC STRIKE
AUTHORIZATION VOTE.
97.91%.
THAT IS HOW UPSET THEY ARE.
THAT IS HOW MARGINALIZED THEY
FEEL AND DISRESPECTED.
LISTEN, MOST OF MY MEMBERS ARE
USED TO WORKING OTHER JOBS.
AND IF WE HAVE TO, WE WILL.
I DON'T KNOW WHAT THEY ARE GOING
TO DO WITHOUT US, BUT WE CAN
SURVIVE WITHOUT THEM IF WE HAVE
TO.
BECAUSE AT SOME POINT, YOU HAVE
TO SAY, NO.
GEOFF: FRAN DRESCHER, PRESIDENT
OF SAG-AFTRA.
THANK YOU FOR YOUR TIME IN YOUR
INSIGHTS.
WE APPRECIATE IT.
FRAN: THANK YOU.
MY PLEASURE.
♪