字幕列表 影片播放 列印英文字幕 Hello. Welcome to 6 Minute English, I'm Neil. And hello, I'm Rob. Now Rob, how creative are you? Very creative, I think. Creativity is in my bones! Look at this wonderful script that I wrote and we're presenting right now. You are what we could call 'a creative' – a noun which means someone with a lot of imagination and ideas. In our job we have to create – or make – content that teaches English creatively. Creativity is becoming more important for everyone. The World Economic Forum forecasts that by 2020, creativity will be in the top three most important skills for future jobs. This is particularly relevant for younger people who will be entering the world of work soon – and that's what we'll be discussing today. But before we do, Neil, have you created a question for us to answer? Yes, and it's about the very creative artist Banksy. He created a well-known piece of artwork that has been in the news recently, but do you know what it is called? Is it… a) Girl with Balloon b) Girl with Red Balloon c) Balloon Girl I can see the picture in my head – so I think it's c) Balloon girl. OK, and we'll find out the answer later. But now back to our discussion about creativity. Experts say that students need to focus more on creativity to help them get a job. That's perhaps surprising in the UK, when some of our creative industries – that's businesses that make music, art and TV for example – are world famous. We are creative people, Rob! Of course, but there's not such a focus on being creative in education now and that might have an effect in the future. It's something Bernadette Duffy, an early years consultant, has been discussing on BBC Radio 4's Bringing up Britain programme. What does she say we have been focusing too much on in schools? We focus on the things that are legitimately important but we teach them in a way that makes them easier to measure. I think we need to redress the balance that puts the focus purely on gaining the skills and far far more on actually using them in a creative way because that's what's going to make a difference for the future. So Bernadette feels we teach skills in a way that can be easily measured and tested. She says we teach these skills legitimately – which here means fairly and reasonably But she feels we don't teach a creative approach to learning skills. So we mean things like problem solving. I guess, even tasks like data inputting and preparing spreadsheets can be approached creatively. In any job, it's sometimes good to 'think outside the box' or find new ways of doing things. Bernadette thinks we should move away from just learning skills and start using these skills creatively – she used the expression 'redress the balance' which means 'change things to make them fairer and more equal'. Well, here at the BBC we have to creative. In fact one of our values states that 'creativity is the lifeblood of our organisation'. Lifeblood here means 'the most important thing to make something a success'. Rob, I can see creativity is in your blood – but on an everyday level how can we all improve our creativity – be more like you?! Well, Neil, I'm no expert but Innovation Manager, Nick Skillicorn is. He's also been speaking to the BBC and explaining what we can do to help ourselves. What does he suggest? On a daily basis, everyone should take fifteen minutes of what I call unfocused time – time that they're not looking at any screen, time that they can essentially get back into their own head, slow down a bit, and start forming these new connections between disparate ideas that result in divergent new original ideas. So we need free time to collect all our different thoughts in our head – what Nick calls disparate ideas to create new and amazing ideas. Disparate ideas are very different ideas, all unrelated. And we need what we might call headspace – that's when your mind is in a good state and you can think clearly. For me, I have headspace when I'm lying in the bath or out riding my bike – there are no interruptions. Well, you certainly don't get your ideas sitting at a desk, focusing on one task – we all need some downtime to get creative. But children going into school now will grow up to do a job that doesn't yet exist. And faced with the challenges of AI, automation, green issues and an ageing population, creativity and imagination will be vital. Right, well, let's get back to talking about the creativity of Banksy now. Ah yes, because earlier I asked you which one of his well-known pieces of artwork has been in the news recently? Is it… a) Girl with Balloon b) Girl with Red Balloon c) Balloon Girl And I said c) Balloon Girl. I know it was a girl and a balloon. Not quite right, Rob. The artwork is titled 'Girl with Balloon.' This was recently auctioned in London but amazingly shredded in its frame as someone's winning bid was accepted! Wow, that's a very creative way to destroy a picture! I will do the same with this script soon but not before we have recapped some of today's vocabulary. Starting with 'a creative' - that's a person whose job is to use a lot of imagination and come up with new ideas, such as someone who works in the media or advertising. Then we mentioned legitimately – which describes doing something fairly and reasonably. Next we heard the expression 'redress the balance'. This means to make things fairer and more equal. We also talked about creativity being the lifeblood of the BBC. Lifeblood here means the most important thing to make something a success. And I know creativity is running through your veins, Rob! Thanks, Neil. We also heard the word disparate, meaning very different and unrelated. And we talked about headspace, which is when your mind is in a good state and you can think clearly. Before we head off to find some headspace, don't forget to visit our website at bbclearningenglish.com for more great learning English content. That's all we have time for now. Do join us again though. Goodbye. Bye bye! Hello. This is 6 Minute English from BBC Learning English. I'm Neil. And I'm Sam. If you browse through a library, you'll find a variety of different books, from fiction to crime to romance. And if you walk through a city you'll see a variety of people of different ages, body shapes, skin colours and genders. In this 6 Minute English, we'll be hearing about an unusual library where the books are people, made of flesh and bone instead of paper. It's called The Human Library and the 'books' are individuals who have faced prejudice – which means an unreasonable dislike of certain types of people. Readers may borrow these 'books', who are people from all walks of life, for a thirty minute conversation. The book titles are short and to the point - titles like 'transgender', 'former criminal' or 'immigrant'. The human books are volunteers, and visiting readers are encouraged to ask those awkward or embarrassing questions they've always wondered about. This means the Human Library needs to be a safe space – a place where people feel protected from danger and harm. It's a fascinating idea but before we find out more, I have a question for you, Sam. The Human Library started out in Denmark but soon spread across Europe and the world. So how many countries have a Human Library now? Is it: a) 75? b) 85? or, c) 95? Well, everyone likes to hear a story – so I'll guess, c) 95. OK, Sam, we'll find out if that's right later in the programme. The first Human Library was founded in Copenhagen by Ronni Abergel. Here he is telling BBC World Service programme People Fixing the World about the inspiration behind his original idea: We don't have time on the street to stop and get to know everyone, so we drop people in little boxes… so it's instinct that's guiding us, and we never get beyond the instinct if we don't get to know the person… so in our library, we recommend sitting down and meeting some of the people that you normally might actually not feel interested in sitting down with because there's something about them that you may feel a little bit uncomfortable about. You learn tremendously not only about them, but also about yourself. When we meet someone new, we often already have ideas about what they are like. Ronni says we put someone in a box – an expression meaning to judge what kind of person someone is based on their appearance or on a limited understanding of who they are. He recommends meeting people who you wouldn't usually spend time with, even if this makes you feel uncomfortable – feel slightly worried or embarrassed in a social situation. So the main idea of the Human Library is to challenge the assumptions and stereotypes that we all have about other people. Ronni uses social media to find volunteers who are willing to talk about their lives at public meetings, which anyone can attend. As the Human Library spreads around the world, more money is needed to keep the project going. This mostly comes from hosting events for private companies, including famous businesses like Google. Transgender volunteer Katy Jon Went is a regular host for the Human Library's business events. Listen to this clip of her introducing the project to a group of Dutch businessmen from BBC World Service programme, People Fixing the World: When we're in the workplace or on social media, what we often find is we're walking on eggshells around diversity and difference, and many people don't want to get it wrong, quite understandably. The important thing to remember is that you can ask them anything – they're never going to make to feel wrong for the question you ask today, which is an incredibly rare offer. When meeting someone with completely different life experiences, people can be worried about saying the wrong thing or asking embarrassing questions. Katy says they are walking on eggshells – an expression which means to be very careful about what you do and say because you don't want to offend or upset anyone. But in fact the human 'books' are rarely offended. The event is all about celebrating people's difference and diversity – a term which describes how many different types of people are included together. Exactly. It's a celebration for everyone regardless of race, age or gender… Or nationality… and that reminds me – what was the answer to your question, Neil? Oh yes, I asked how many counties today have a Human Library. What did you say, Sam? I guessed it was c) 95 countries. Which was… the wrong answer I'm afraid. The correct answer was b) 85 countries, from Norway and Hungary all the way to Australia and Mongolia! Wow! I bet that makes a lot of interesting stories! OK, let's recap the vocabulary for this programme about people sharing their experience of facing prejudice – the unreasonable dislike of certain groups of people. A safe space is place where you feel protected from danger and harm. When we put someone in a box, we judge them based on their appearance or a limited understanding of them. If you feel uncomfortable, you feel slightly worried or embarrassed in a social situation. The expression walking on eggshells means being very careful about what you do and say because you don't want to offend anyone. And finally, diversity is a term describing many different types of people being included together. Well, it's time to return these human books back to the library shelves because our six minutes are up! Join us again for more real-life stories and topical vocabulary here at 6 Minute English from BBC Learning English. Goodbye for now! Bye! Hello. This is 6 Minute English from BBC Learning English. I'm Neil. And I'm Georgina. When we think about romantic Hollywood movies, there have been some famous examples over the years. There are classic black-and-white romance movies like 1951's, 'A Streetcar Named Desire', and the love affair between Humphrey Bogart and Ingrid Bergman in 'Casablanca', made in 1942. You're really showing your age, Neil! What about more recent movies like 'When Harry met Sally' or that famous kiss between the characters Jack and Rose in the film, 'Titanic'. In their time all these movies were blockbusters – very popular and successful films which sold millions of cinema tickets. And this success was often due to the on-screen romance between the leading actors. In romantic movies, love is in the air. Couples hold hands and kiss, or in other words they show intimacy – a close romantic, or sexual relationship. But while real couples kiss and hold hands all the time, actors in movies are just pretending to be intimate, and this can lead to problems. Yes, whether it's a kiss or a full-nudity sex scene, filming intimate scenes for movies and TV is a delicate business, as we'll be finding out in this programme. But first, Georgina, I have a quiz question for you. Let me guess… Another black-and-white classic from the 1950s? Yes - 1953 to be exact. Which was the year this movie won the Oscar for Best Picture. The film thrilled audiences with a famous beach kiss between actors, Burt Lancaster, and Deborah Kerr, as they rolled around in the waves – but what was the movie? Was it: a) West Side Story?, b) From Here to Eternity?, or c) Singin' in the Rain? Well, 1953 was long before I was born but I'll guess, b) From Here to Eternity. OK Georgina, we'll find out later on if that's right. In 1953 an on-screen kiss was still considered a little naughty. But by 2020 and the filming of the BBC television dramas, 'Normal People' and 'I May Destroy You', things had changed. Nudity and sexual content had become commonplace. Ita O'Brien worked on both these BBC dramas. She describes herself as an 'intimacy coordinator' - someone who helps actors and directors plan and film intimate scenes. Listen as she gives her definition of intimacy to BBC World Service programme, The Conversation: A hand hold, a stroke of the cheek, you know, through to a hug, and then obviously, right the way through to intimate content – it might be familial content of an adult to a child; it could be the content of perhaps a medical procedure, someone having a mammogram, or it could be right the way through to intimacy, simulated sexual content. Ita's definition of intimacy is very wide, including hugging and stroking – gently touching someone in a pleasurable way. It also includes simulated sex. Movie actors aren't really having sex, they're simulating it – pretending to do something so that it looks real but is not. just like dance sequences in musicals, intimate movie scenes are planned and choreographed beforehand so that the director, film crew and, above all, the actors are comfortable with what's being filmed. But recent scandals about the on-set behaviour of some British and American film stars have highlighted how delicate a balance this is. Here's Ita O'Brien again talking to BBC World Service's, The Conversation, about the different ways that intimate scenes are filmed on either side of the Atlantic, in Britain and the US. With actors from the US, what they do have, what they put in place is that with each and every intimate scene we create a nudity / simulated sex waiver, for each and every scene and I actually really like that way of working. In the UK, actors are asked to sign a nudity clause and generally that's an overall, for the whole of a production. British actors sign only one document with a nudity clause to cover the whole film. But in the US, actors sign a waiver – a legal document that allows or prevents an action that is different from how things are usually done. Ita thinks it's better if the actors agree to each and every scene – and she uses the phrase, 'each and every' because it emphasises that she means every single one. In this way there is no confusion about what should or shouldn't happen on set, leaving the director and actors free to make dramatic and romantic blockbusters. You mean like that famous beach scene, kissing and rolling in the waves, Neil? Ah, you mean my quiz question when I asked you: What was the name of the 1953 movie featuring a famous beach kiss between movie stars Burt Lancaster and Deborah Kerr? What did you say, Georgina? I said it was b), From Here to Eternity. Which is… the right answer! Well done, Georgina – so you do like classic black-and-white movies after all! Not really, Neil, but I remember my grandad watching it! OK, let's recap the vocabulary from this programme about intimacy – a close romantic or sexual relationship. A blockbuster is a very popular and successful movie or a book that sells many copies. If you stroke someone's face, you touch it gently in a pleasurable way. To simulate means to do or make something that looks real but is not. In the US, a waiver is a legal document to either allow or prevent something being done in a different way from usual. And you can use the phrase, each and every to emphasise that you mean every single one of something. That's all for this romantic edition of 6 Minute English but join us here again soon for more topical chat and useful vocabulary. Bye for now! Bye! Hello. This is 6 Minute English from BBC Learning English. I'm Rob. And I'm Georgina. Now, Georgina, you recently mentioned in one 6 Minute English programme about NFTs and that you had a collection of Pokemon cards when you were younger. Yes – I did, and I still can't find them. Why did you bring that up? Well, Pokemon started out as a video game series that turned into anime movies and trading cards among other things – and in this programme we're talking about a video game character that is iconic – a word which means widely known and recognised. That character's name is Super Mario. Ahhh I spent many hours of my childhood playing with Nintendo's Super Mario or his rival, Sega's Sonic the Hedgehog. Now, these days, video games are everywhere, and people of all ages enjoy playing them. There's also competitive e-sports events where gamers compete for what are often considerable amounts of money. Yes, and there are also streamers that appear on platforms like Twitch and YouTube who have become celebrities in their own right. Talking about celebrities, I have a question about the famous character we're talking about in this programme. Many people remember Super Mario Bros. as being the first time we saw Mario, but he first appeared in another game – which was it? Was it: a) The Legend of Zelda b) Donkey Kong; or c) Pokemon I'm not sure about that – I can't remember him being in Pokemon, so I'll go for a) The Legend of Zelda. OK, Georgina, we'll find out if you're right at the end of the programme. So, we established at the start of the programme that these days the video games industry is thriving. True – but it wasn't always that way. It's hard to imagine now, but in the 1980s the console market was struggling, particularly in the US. Keza MacDonalds, video games editor for the Guardian newspaper, explains what was happening in the early 1980s. Here she is on BBC World Service programme You and Yours, speaking with Peter White. Well, back then, especially in America, there had been a flood of games that were just not very high quality. One of the games that's often cited as a factor in the collapse was this game called ET on the Atari, which was so bad they ended up burying thousands of copies of it in the desert, because nobody liked it. And, so we'd had that, especially in America, this didn't happen so much in Europe, but in America just been lots and lots of software. None of it was all that great. There hadn't been anything really revolutionary in some years, so the video game boom was really falling off a cliff and Nintendo is what rescued in the US especially. Keza MacDonald used the term a flood of – meaning a large number in a short period of time – to describe the number of games that were coming out. She used cited, which means referenced or noted, when talking about the game ET being a reference for a factor in the collapse of the console market. And she said boom – a sudden period of growth. So as ET was mentioned as a factor in the collapse, many people say that Super Mario Bros. was the reason that video games really took off, especially in the US. It's interesting to consider what might have been if his creator, Shigeru Miyamoto, had never created that character. The question is, why is that game so popular, what made it so fun to play? Here is Keza Macdonald speaking again with Peter White, on BBC World Service programme, You and Yours, explaining why Mario is just so popular and what makes the original game so satisfying to play. It's just such a joy to play. It's running and jumping, and it's the joy of movement. When, when you play, even the original Super Mario Bros, you just feel this sense of joy in your movement, and it's one of the greatest games ever made. And a lot of games from 35 years ago are basically unplayable now. They might have been a step to something greater, but Mario was one of those few that really holds up today as it did then. Keza Macdonald said that some games from 35 years ago are unplayable – so, not possible to play them. But she said that Mario holds up – a term used to say that something's standards or quality has not lessened. It certainly does hold up – in fact, I played it the other day and I had lots of fun with it – it reminded me of my childhood, and it's still as good now as it was then. Which reminds me of your quiz question, Rob. Yes, in my quiz question I asked Georgina which game had the first appearance of that famous plumber, Mario. I went for a) The Legend of Zelda. Which is wrong, I'm afraid! Mario's first appearance was in Donkey Kong, and his creator, Shigeru Miyamoto, never thought he would be that popular. Well, I guess we've all really learnt something today. Let's recap the vocabulary from today's programme about Super Mario, starting with iconic – famously associated with something and instantly recognisable. Then we had a flood of which means a large amount of something in a short space of time. Cited means reference as or noted. Boom relates to explosion and means a short period of sudden growth. Unplayable describes something that can't be played or a game that is very difficult to enjoy. And finally, holds up means that the quality or standards of something hasn't changed and still looks good or plays well. That's all for this programme. Bye for now! Bye! Hello. This is 6 Minute English from BBC Learning English. I'm Neil. And I'm Sam. Do you think robots could ever become intelligent, Sam? Well, if you believe Hollywood movies like 'Robocop', robots will grow more powerful than their human creators and take control. You've been watching too many sci-fi movies, Sam! But seriously - do you think robots will ever be able to think or dream? Could they fall in love or create art? It's hard to say but because of the huge advances in artificial intelligence over the last ten years, questions like these are being asked more and more. In this programme we'll be meeting a very unusual 'person' (if that's the right word) who could help answer some of these questions. She's called Ai-Da, she's an artist who can draw, paint and create sculptures – and she's a robot. Yes, the humanoid robot, Ai-Da, uses a robotic arm and a pencil to draw what it sees with a camera in its eye. It's very life-like and can even talk to the people whose picture it's drawing. We'll hear more about this extraordinary robot and the team of inventors behind her soon, but first I have a quiz question. The name, Ai-Da, uses the abbreviation for 'artificial intelligence' - AI - to make a woman's first name, but which famous, real-life Ada was the robot named after? Was it: a) Ada Brown?, b) Ada Lovelace? or, c) Ada Maris? I think it must be, b) Ada Lovelace. OK, Sam, we'll find out if that's right later. Of course building a realistic robot that can see, hold a pencil and draw is not easy. Behind the creation of Ai-Da was a team led by Cornish robotics company, Engineered Arts, and supported by engineers in Leeds who built her robotic arms using AI systems developed at Oxford University. Here's chief engineer, Marcus Hold, introducing presenter, Karl Bos, to the still unfinished Ai -Da for the first time for BBC World Service programme, In The Studio: It's very strange because on first glance she looks incredibly scary, a bit like a dystopian robot from the future but when you see her move and express she becomes incredibly cute. People tend to refer to them as 'he' or 'she', they're drawn to the robots. So much of our communication is non-verbal – I'm gesturing with my arms, I'm smiling… and our robots – a big part of their appeal and their human nature is in the way they behave and move and it's great that you're picking up on that from something that has no skin. When Karl first meets Ai-Da he sees a wired-up metal skull without skin. She looks like a robot from a dystopia - an imaginary future world where everything is bad – like the movie 'Robocop'. But as Karl spends more time with Ai-Da he begins to see her move and express herself. She smiles, blinks and uses facial expressions and hand gestures known as non-verbal communication to appear more human. This human-like behaviour is part of Ai-Da's appeal - the quality in someone that makes them attractive and interesting – and soon Karl is calling the robot 'she' instead of 'it'. Former art gallery owner, Aidan Mellor, manages the Ai-Da project. Here he is speaking to BBC World Service's, In The Studio, about the complex process involved in building a working robot: We've got the programmers and researchers working at Oxford University and Goldsmiths and they're doing their algorithmic programming, programming the AI that is going to be eventually used for the art pieces that we're doing… But we've also got a couple of guys who are actually working on her arm – her ability to draw – and actually getting her to do a compelling drawing of what she sees. There's some battles still to be won before the show, we will eventually hopefully iron out all the issues before that time. One challenge the team faced was building a robotic arm that could allow Ai-Da to draw pictures that were compelling – exciting, interesting and able to keep your attention. In combining an electronic AI brain with mechanical robot eyes and arms there were many battles to be won – difficulties and technical obstacles to be overcome. And at the time of the interview, the team still had some issues to iron out – removing problems by finding solutions – before Ai-Da's opening show: an exhibition of her artwork at The Design Museum in London. Amazing! It's nice to think that a robot could be the next Picasso instead of an out-of-control sci-fi policeman! Yes, and the whole project was inspired by a real-life woman – whose name was? What was the answer to your quiz question, Neil? Ah yes, I asked Sam which famous Ada was the real-life inspiration behind the robot, Ai-Da. I said, b) Ada Lovelace. Was I right? You were… right, Sam! Ai-Da is named after Ada Lovelace, the 19th century English mathematician and first computer programmer in the world. OK, Neil. Let's recap the vocabulary from this programme, starting with dystopia - an imaginary future society where everything is bad. Non-verbal communication is communication using physical gestures and facial expressions instead of speech. The appeal of something is a quality it has which people find attractive. If something is compelling, it holds your attention because you find it so interesting. A battle to be won means a problem to be solved or an obstacle to overcome. And finally, to iron something out means to remove or find solutions to a problem. With artificial intelligence improving so fast it may not be too long before we see robot presenters of Six Minute English! But until Sam and I are replaced by AI we hope you'll join us again next time for more trending topics and useful vocabulary, here at BBC Learning English. Bye for now! Goodbye!
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