Welcome to watch Mojo.

歡迎觀看《魔域》。

And today we're counting down our picks for the top 10.

而今天我們就來細數一下前十名的人選。

Scariest scenes of 2020.

2020年最可怕的場景。

I thought I said Go back, Thio.

我記得我說過要回去，Thio.

You too.

你也是

Yeah.

是啊。

Uh huh.

嗯哼。

Uh huh.

嗯哼。

And for this list, we're looking at terrifying scenes that made us unnerved, uncomfortable, disturbed or just filled us with dread TV and film scenes air both eligible, as well as movies that premiered in 2019.

而對於這份名單，我們正在尋找讓我們感到不安，不舒服，不安或只是讓我們充滿恐懼的電視和電影場景的空氣都有資格，以及在2019年首映的電影的可怕場景。

As long as they're wide releases happened in 2020 let us know in the comments section below, Which scene had you shaking under the blankets?

只要他們的廣泛發佈發生在2020年讓我們知道在下面的評論部分，哪個場景讓你在毯子下顫抖？

Number 10, creature feeding Sputnik.

10號，餵食斯普特尼克的生物。

We've seen scenes where an alien feeds on a human before and it always terrifies us.

我們以前見過外星人以人類為食的場景，它總是讓我們感到害怕。

However, this particular scene differs from those, and it's disturbing.

然而，這個特殊的場景與那些不同，它令人不安。

Nature is elevated because the feeding is deliberate and there are onlookers.

因為刻意的餵養，有圍觀者，所以自然就提升了。

Seeing it in thermal vision and from a distance has us filling in the blanks in our minds.

在熱視覺和遠處看到它，讓我們在腦海中填補空白。

And the unknown is always scarier in our heads.

而在我們的腦海中，未知的東西總是更可怕。

Thanks.

謝謝你

Yeah, the way that the creature moves and makes a precise and calculated decision to rip the captive's head off highlights that we are right to be scared of it.

是啊，那怪物的動作和做出精確和計算的決定 撕開俘虜的頭，突出了我們對它的恐懼是正確的。

Number nine Trapped relic change is always frightening, whether it be physical, circumstantial or environmental.

九號被困遺蹟的變化總是讓人害怕，不管是物理的、環境的還是環境的。

So when the interior of the house you know, is changing before your very eyes, we can understand being fearful.

所以，當你所知道的房子內部，在你眼前發生變化的時候，我們可以理解害怕。

Knowing that your freedom is just behind a wall.

知道你的自由就在牆後。

That you can't get through is devastating, as is the claustrophobic feeling the scene induces with its camera angles.

你過不去是毀滅性的，就像這個場景用鏡頭角度引起的幽閉恐懼感一樣。

Oh, we, as the audience feel trapped, and that makes us feel incredibly uncomfortable.

哦，我們作為觀眾感覺被困住了，這讓我們感覺非常不舒服。

While the rest of this film is relatively slow, Sam's entrapment happens unexpectedly fast, which doesn't allow us to ease into the situation as viewers.

雖然本片的其他部分相對較慢，但山姆的誘捕發生的速度卻出乎意料的快，這並不能讓我們作為觀眾輕鬆地進入到這個局面。

It's okay.

沒事的

Okay.

好吧，我知道了

Oh, number eight, Ghost by the Bed Lovecraft Country.

哦，第八號，床邊的鬼魂愛奇藝國。

It's the eyes, the damn eyes.

是眼睛，該死的眼睛。

A scary scene succeeds when we feel scared for a particular character.

當我們為某個人物感到害怕時，一個恐怖的場景就成功了。

So when that character is sleeping and defenseless, the danger and fear we feel for them is amplified.

所以，當這個角色沉睡、毫無防備的時候，我們對他們的危險和恐懼就會被放大。

While the exact intent isn't revealed here, we are expecting the worst.

雖然這裡沒有透露具體的意圖，但我們對最壞的情況有所期待。

If the ghosts intense gaze isn't enough to make your skin crawl, it's mutilated mouth is.

如果鬼魂強烈的目光還不足以讓你的皮膚爬行，那它那張殘缺的嘴就是。

While this would have been enough on its own to scare anyone, the jump scare of the blanket being pulled off.

雖然這本身就夠嚇人的了，但被子被拉下來的跳嚇。

A The end is an excellent finisher.

A 結尾是一個很好的結尾。

Number seven Grace regresses the lodge.

七號恩典倒退小屋。

Thinking you're about to die is a scary thought.

想到自己快要死了，就會覺得很害怕。

But what if you thought you were already dead?

但如果你以為自己已經死了呢？

That's precisely what happens in the lodge.

這正是小屋的情況。

As Grace's partners, Children try to convince her that they are dead and in purgatory.

作為格蕾絲的夥伴，孩子們試圖說服她，他們已經死了，在煉獄中。

If we died, we lindane.

如果我們死了，我們林丹。

How do you know we had died?

你怎麼知道我們已經死了？

How would we?

我們怎麼會？

Because it makes no sense.

因為這毫無意義。

While we aren't sure what to believe at this point, there is no denying that the visual of Aden seemingly ending his life, is, Ah, heart stopper.

雖然我們現在不知道該相信什麼，但不可否認的是，亞丁似乎要結束自己的生命的畫面，是，啊，心跳停止。

Our hearts do start again and quickly reach 120 beats per minute.

我們的心臟確實又開始了，並且很快達到了每分鐘120次。

When Aiden reveals that he's unharmed and cannot die because he's already supposedly dead, none of it was really can we?

當艾登透露自己毫髮無傷，不能死，因為他已經應該死了，這一切都不是真的可以嗎？

Can we just go inside, please?

我們能進去嗎？

Carol Centers number six in the Attic Host.

卡羅爾中心的六號閣樓主持人。

Firstly, we have to commend the creators for crafting the superb chiller during the Cove in 19 Pandemic, while quarantine restrictions were in place.

首先，我們要讚揚主創人員在19年大流行期間，在檢疫限制的情況下，製作出了超強的冷風機。

Now my dad, Caroline the Zoom application allows us to be a part of the film.

現在，我的爸爸，卡羅琳... ...Zoom應用程序允許我們成為電影的一部分。

Characters hang out and watch as a demonic force terrorizes the group of friends.

角色們在外面閒逛，看著一股惡魔的力量恐嚇著這群朋友。

Addicts are a naturally creepy place, and the anticipation the scene builds by having the camera slowly pan across the room has us tensing every part of our body as we wait to see what will appear.

癮君子是一個天然的令人毛骨悚然的地方，通過讓鏡頭在房間裡慢慢平移來營造的場景的期待，讓我們在等待著看會出現什麼的時候，身體的每一個部位都繃緊了。

What does reveal itself does not disappoint Number five opening scene possessor.

顯露出來的東西不會讓人失望五號開場附體。

While we aren't presented with horrifying or spooky demons here, it's the very idea that scares us.

雖然我們在這裡看到的不是恐怖或詭異的惡魔，但正是這個想法讓我們感到害怕。

Imagine being possessed by a different person to carry out something you have no control of.

想象一下，自己被另一個人附身，進行一些自己無法控制的事情。

Director Brandon Cronenberg follows in his father's footsteps with body horror and surrealism.

導演布蘭登-克倫伯格繼承了父親的衣缽，身體恐怖和超現實主義。

So if you're a bit squeamish, this may not be for you.

所以如果你有點膽怯，這可能不適合你。

The opening scene does an excellent job of relaying all this with some close ups, so you will know right away.

開頭的一幕很好地用一些特寫鏡頭轉述了這一切，所以你馬上就會知道。

If you can stomach it, pull me out.

如果你能忍受，就把我拉出去。

It's gory, bloody grotesque, and it all looks shockingly riel.

它的血腥，血腥的怪異，看起來都是令人震驚的里爾。

Number four Dinner Nightmare.

四號晚餐噩夢。

His house.

他的房子。

There are many horror movies in which a character sees a ghost or is attacked by a demonic presence and then somehow goes to sleep in the same house.

有很多恐怖電影中，角色看到鬼魂或者被鬼魂攻擊，然後莫名其妙的在同一個屋子裡睡覺。

His house gives us a perfect reason as to why our characters can't leave, and the night which or a path haunting them uses this knowledge to torment ball.

他的房子給了我們一個完美的理由，為什麼我們的角色不能離開，而夜晚哪個或一條路困擾著他們，利用這些知識來折磨球。

The illusion of the vast emptiness and red skies emits an ominous aura as zombie like people emerge from underwater.

遼闊的虛空和紅色的天空的幻覺，散發著不祥的氣息，殭屍一樣的人從水下出現。

We can't see them until they burst up, which means we don't know when we can feel safe.

在它們爆發之前，我們看不到它們，這意味著我們不知道什麼時候可以感到安全。

Mhm Number three Mutant wife Color out of space Cosmic horror as a genre is scary enough.

姆姆三號變異老婆色出太空 宇宙恐怖作為一種類型，已經夠恐怖了。

Ah, lot of what works and delivering scares is knowing that something is out there far more powerful than you.

啊，很多工作和提供的驚嚇是知道有東西在那裡比你更強大。

The beings influences subtle at first, but that changes soon enough.

眾生的影響一開始很微妙，但很快就會改變。

Theme melding of mother and son together to create a monstrous abomination makes a sick to our stomachs to hear and see.

主題融合的母子倆一起製造了一個畸形的憎惡，讓我們聽了和看了都覺得噁心。

Not because it's so disgusting, but because we're witness to a small child and innocents Woman in a lot of pain and despair as it continues to transform, were presented with a face that's straight from a nightmare.

不是因為它是如此的噁心，而是因為我們見證了一個小孩子和無辜的女人在很多的痛苦和絕望，因為它繼續轉變，被呈現在一個直接從噩夢的臉。

Number two through the gown.

二號通過禮服。

The haunting of blind manner.

盲目的方式的困擾。

While it may not be as frightening as Hill House, it certainly is chilling in has its moments with the scares being sparse, their arrival holds greater significance and works in their favor to make our skin crawl, I thought.

雖然它可能沒有《山丘之家》那麼恐怖，但它肯定是令人不寒而慄的，在有驚無險的時刻，它們的到來卻有著更大的意義，對它們有利，讓我們的皮膚爬行，我想。

Go back to bed, please.

請回去睡覺吧

Usually, audiences can tell when a scare is coming and they can brace themselves, lessening the blow.

通常情況下，觀眾可以知道什麼時候會有驚嚇，他們可以撐起身子，減少打擊。

This is not the case when a pair of ghostly arms grab Perdita.

這不，一雙幽靈般的手臂抓住了佩蒂塔。

The black and white grading adds an ominous look to it, and the scene highlights what lengths people or ghosts will go to to get their revenge before we unveil our topic.

黑白相間的格調為它增添了不祥的氣息，在我們揭開主題之前，這個場景凸顯了人或鬼會為了報仇而不擇手段。

Here are some honorable mentions Detective Jack Hoskins encounters the man Thea outsider because he disappears in a flash.

這裡有一些值得一提的榮譽，偵探傑克-霍斯金斯遇到的人西婭外人，因為他在一瞬間消失了。

Oh, seeing Catholic underwater because the creature is farm or terrible than we thought.

哦，看到天主教在水下，因為生物是農場或可怕的比我們想象的。

The dining room Z because it will make you jump out of your skin.

飯廳Z因為它會讓你跳出你的皮膚。

You go, please under the pavement.

你走吧，請到人行道下。

Very, um, because it will make your skin crawl.

非常，嗯，因為它會讓你的皮膚爬行。

You, too.

你也是

Before we continue, Be sure to subscribe to our channel and ring the bell To get notified about our latest videos, you have the option to be notified for occasional videos or all of them.

在我們繼續之前，請一定要訂閱我們的頻道，並按響鈴鐺，以獲得我們最新的視頻通知，你可以選擇通知不定期的視頻或所有的視頻。

If you're on your phone, make sure you go into your settings and switch on notifications.

如果你在手機上，請確保你進入設置並打開通知。

Number one in the restaurant, The Invisible Man.

餐廳裡的第一號人物，《隱形人》。

There are a few things at play here as to why this scene works in a horror film.

為什麼這一幕能在恐怖片中發揮作用，這裡有幾個方面的原因。

First were shown that public places are not safe anymore.

首先被證明公共場所不再安全。

It lets the audience know that we can't trust ourselves not to be scared and seemingly safe places.

它讓觀眾知道，我們不能相信自己不害怕，看似安全的地方。

I need that strength in my life right now, and I need you to sleep.

我現在需要這種力量，我需要你睡覺。

What I'm about to tell you were also shown that not only do we have to be fearful for Cecilia, but for her friends and family to Additionally, the psychological torment disturbs us more than any other jump scare would.

我要告訴你的也被表明，我們不僅要為塞西莉亞感到恐懼，還要為她的朋友和家人感到恐懼另外，心理上的折磨比其他任何跳樓驚嚇都讓我們不安。

What is that?

那是什麼？

It's kind of suit that Adrian has built and it has cameras.

這是一種阿德里安打造的衣服，它有攝像頭。

And somehow what the scene also highlights sees lack of control of the situation and that really is a shin.

而不知為何，這一幕也凸顯出的是看到了缺乏對局勢的控制，這真的是一種恥辱。

Is Justus terrifying as all the other elements?

賈斯特斯和其他元素一樣可怕嗎？

Wow, Do you agree with our picks?

哇，你同意我們的選擇嗎？