They all go such a long way to tell him the story and certainly help us.

他們都用這麼長的時間給他講故事，當然對我們有幫助。

His actors getting into the mindset.

他的演員們進入了狀態。

There's something about walking onto a set and nothing being what we recognize in our world today way get to be, like, fully submerged in the experience of what these guys would have felt beginning this new journey in building this thing, you don't have to create your mind like what was it like to be in 1961 inside of this?

有一些關於走到一個設置和沒有什麼是我們今天認識的世界方式得到，喜歡，完全淹沒在這些傢伙的經驗會覺得開始這個新的旅程在建設這個東西，你不必創造你的心態，像什麼是像1961年在這個裡面？

But I mean, here we are are incredible Production design team has gone to a ton of effort to research archives.

但我的意思是，我們在這裡是令人難以置信的生產設計團隊已經去了大量的努力研究檔案。

So you go back and you find one picture in history and then, you know, you're trying to figure out how to build it.

所以，你回過頭來，在歷史上找到一張照片，然後，你知道，你想知道如何建立它。

What's the purpose of it are NASA technician who is one of our technical advisors.

它的目的是什麼是美國宇航局的技術人員，他是我們的技術顧問之一。

When he first came into this room, he kind of gasped and said, Oh my God, it feels like I'm back with these men were you know, some of the things were very challenging, but I think we pulled it off.

當他第一次來到這個房間，他有點喘氣，說，哦，我的上帝，感覺就像我回到了這些人，你知道，有些事情是非常具有挑戰性的，但我認為我們把它關閉。

The space suits are dead on replicas of the NASA spacesuits Patrick Adams, and I hope you got to actually try ours on together.

太空服是帕特里克-亞當斯的NASA太空服的複製品，我希望你能一起試穿我們的太空服。

And I'll never forget that moment because it was two kids on Christmas morning and you slide that thing under your body.

我永遠不會忘記那一刻，因為那是兩個孩子在聖誕節的早晨，你把那個東西滑到身體下面。

And especially when you put that helmet onto your head and it clips in your a kid again.

尤其是當你把頭盔戴到頭上時，它又夾住了你這個孩子。

The wonderful An Roth once said that two people enter a fitting room and three people leave on.

精彩的安若思曾經說過，兩個人進試衣間，三個人上離開。

That's the aim.

這就是我們的目的。

All of these folks were so game to wear, things that were different to go outside, their comfort level on.

這些人都是這麼遊戲穿，東西是不同的去外面，他們的舒適度上。

I think that's made a huge visual difference in the show, all of the wardrobe and all the sets, even the cars that they put in the background just to drive through the back of a shot.

我覺得這在劇中帶來了巨大的視覺差異，所有的衣櫃和所有的佈景，甚至是他們放在背景中的汽車，只是為了開過一個鏡頭的背面。

You look at any place that were shooting at the right angle, and it really is this 19 fifties throwback sandbox that we're all getting to play in.

你看任何一個地方，在正確的角度拍攝，它真的是這個1950年代的回味沙盒，我們都在玩。

There's been a lot of Karen Kraft us.

有很多凱倫-卡夫的我們。

I think you can tell into making this world feel as authentic as possible.

我想你可以告訴成讓這個世界感覺儘可能的真實。