Forget 2020 This 19 twenties Great Gatsby Immersive theater show with London's first West End show To sell tickets on return from Lock down in October like this is the most ridiculous, difficult adventure of my life.

忘記2020年這個1920年代的偉大蓋茨比沉浸式戲劇表演與倫敦的第一個西區表演為了在10月像這樣從鎖定回來的時候出售門票，這是我一生中最荒謬，最困難的冒險。

But I don't mind that I get emotional about it.

但我不介意我對它產生感情。

Him, This is the hardest thing we've ever done on Gatsby really is one of the first shows to come back.

他，這是我們在《蓋茨比》上做過的最難的事情，真的是第一批迴來的節目之一。

So how have they done it?

那麼他們是如何做到的呢？

Well, on top of masks, cutting venue capacity and your standard social distancing measures.

好吧，在面具之上，削減場地容量和你的標準社會疏遠措施。

Brian Hook at Immersive everywhere says the entire show has had to be redesigned.

Immersive everywhere的Brian Hook表示，整個展會必須重新設計。

We've had to make some fundamental changes to the show, so there are some scenes that we used tohave.

我們不得不對這部劇做一些根本性的改變，所以有一些場景是我們曾經有過的。

For instance, we used to have a 250% Charleston.

比如說，我們以前有一個250%的查爾斯頓。

That was really gorgeous to watch, but it's probably not most responsible thing to do.

這真的是華麗的看，但這可能不是最負責任的做法。

So we've turned that into a new scene.

所以我們把它變成了一個新的場景。

Audience members Rosie O Connell on Jess Pizza told us they were grateful to be back.

觀眾Rosie O Connell在Jess Pizza上告訴我們，他們很感激能回來。

It's quite emotional, really like, I don't know, seeing actors doing what they're meant to be doing an audience is what they're meant to be doing.

這是相當情緒化的，真的很喜歡，我不知道，看到演員做什麼，他們的意思是做一個觀眾是他們的意思。

You know, it's kind of sad that is not gonna carry on.

你知道，這是一種悲哀，是不會進行下去。

I've just cried my eyes out the finale because I perform well, just an amateur stuff.

我剛剛因為表現好，只是一個業餘的東西，壓軸哭了。

So for me, I'm missing that I want to be on stage.

所以對我來說，我缺少的是我想站在舞臺上。

And so to see people performing after so long, it's filled my soul.

所以在這麼久之後還能看到人們的表演，這讓我的靈魂得到了充實。

It's filled my heart.

這讓我滿心歡喜。

It was great at another theater over in Brazil, another method of reopening this time a play called Val Polo Protocol.

在巴西那邊的另一家劇院很好，另一種方法重行開端，這次是一出叫《瓦爾波羅議定書》的戲。

It's an outdoor space with small plastic cabins for the audience.

這是一個戶外空間，有小塑膠小屋供觀眾使用。

Even the actors wear face masks on Don't touch each other, interrupting their movements in the air just before touching their fellow actors.

就連演員們也戴上了口罩，不要互相觸碰，在空中中斷動作，才會觸碰同伴。

The play's director, Johanna Albuquerque, says they were the first live performance toe open with an audience in Sao Paulo, along with only 10 other stages in the city, much less I Gotta Messina control protocol.

該劇的導演約翰娜-阿爾布克爾克說，他們是第一個現場表演趾開放與觀眾在聖保羅，以及只有10個其他階段在城市，更少我得梅西納控制協議。

Segura's American public uses Cinta Seatguru uh, prosthesis, our chat on in Central Europe.

塞古拉的美國公眾使用Cinta Seatguru呃，假肢，我們在中歐的哈拉。

Checks are enjoying take away theater despite being back and lock down Prague troops.

支隊正在享受外賣劇場，儘管被回和鎖定布拉格部隊。

Circular politica has opened a culture window at a marketplace building where an audience up to four outside can watch a five minute live show of music, acrobats and dancing inside while still observing social distancing rules.

Circular politica在一棟市場大樓開設了一個文化窗口，外面的觀眾最多4人，可以在裡面觀看5分鐘的音樂、雜技和舞蹈的現場表演，同時還能遵守社交距離規則。

Most agree it'll take new thinking like this to get theaters back on their feet.

大多數人都認為，要想讓影院重新站起來，需要這樣的新思維。

If you sit and listen to those audience members cheer our performance on and you see the cast members just do their job really, really well, it's honestly one of most beautiful things I've ever seen.

如果你坐著聽那些觀眾為我們的表演歡呼，你會發現演員們真的很好地完成了他們的工作，說實話，這是我見過的最美的事情之一。

So I would say Try, I'd say, Fight for it on There are people out there who need this in their lives.

所以，我會說，嘗試，我會說，爭取它在有 人誰需要這個在他們的生活。

Do not go quietly into the night.

不要悄悄地走到夜裡。