Name: 攝像師做什麼工作對電影來說至關重要？| VOGUE JAPAN (映画に欠かせない、カメラオペレーターの仕事とは？| VOGUE JAPAN)
Uploaded: 2020-09-06T20:05:27.000Z
Duration: 10 min 51 s

you know, I'm I always told me to file my nails.

你知道，我總是告訴我，我的指甲銼。

程度副詞

Otherwise, that might just end up scratching somebody.

否則，最後可能就會劃傷別人。

This is what a film might look like if cameras were set up, someone hit record and then just walked away.

這就是一部電影的樣子，如果攝影機架好了，有人按了錄音鍵，然後就走開了。

There's no thought behind the framing or perspective, and it lacks any stylistic choices.

畫面和視角背後沒有任何思考，缺乏任何風格選擇。

It's what might happen if someone like me is an onset.

如果像我這樣的人是一個發病者，可能會發生什麼。

My name is Oliver, and I'm a camera operator.

Let's go in to see all the different ways a camera operator might film a scene.

讓我們進去看看攝像師拍攝場景的各種不同方式。

在我們做任何事情之前，倒帶。

讓我們在這裡得到一個攝像師。

Before the camera was completely stationary by utilizing pans, which are left and right movements and tilt, which are up and down movements, we can let our actors naturally moving the scene without running into weird prop frames.

在攝影機完全靜止之前，通過利用左右移動的平移和上下移動的傾斜，我們可以讓我們的演員自然地移動場景，而不會遇到奇怪的道具框架。

Let's see the scene again with those in action.

讓我們再來看看那些行動中的場景。

You know, I'm I always told me to file my nails, otherwise I might just end up scratching somebody, but denying around no more.

你知道，我總是告訴我，我的指甲銼， 否則我可能只是結束了劃傷別人， 但否認周圍沒有更多的。

She, in addition, depending you can also physically move the camera to reveal scenes, characters or objects in dramatic ways.

她，此外，根據你還可以物理移動相機，以揭示場景，人物或對象的戲劇性方式。

By putting the camera on a world platform called a Dolly, you could connect two shots into one with a single swift movement.

通過將相機放在一個叫做 "多利 "的世界平臺上，你可以用一個快速的動作將兩個鏡頭連接成一個。

Let's see what that looks like in action, but the mining around no more.

讓我們來看看是什麼樣子的行動，但周圍的採礦沒有了。

Each method provides its own stylized way of revealing different aspects of the scene.

每種方法都提供了自己的風格化方式，以揭示場景的不同方面。

沒有不尊重你的嘴，也沒有不尊重我的意思。

But I'm not really the getting kidnapped type.

Notice the camera angles here, filming up that someone could make them seem or intimidating while filming down on someone could make them seem weaker.

注意這裡的攝影角度，拍上那個人可以讓他們看起來或嚇人，而拍下那個人可以讓他們看起來更弱。

Since the hitman has the upper hand right now, we should probably swap these angles there.

既然打手現在佔了上風，我們也許應該把這些角度換到那裡。

This really helps put the hit man in a position of power.

這確實有助於讓打手處於強勢地位。

Sorry, no disrespect to your Mao or me, Ma or Mamma Mia or whatever, but not really the getting kidnapped type.

對不起，沒有不尊重你的毛澤東或者我，媽或者媽咪什麼的，但不是真的被綁架的那種。

Shut the hell up and tell me what you know about Joann's fabrics.

閉上你的臭嘴，告訴我你對Joann's面料瞭解多少。

Listen, I don't want nothing to do with this close up shots on a single person like the ones we just saw could be good when trying to emphasize a moment or get a character's reaction.

聽著，我不想沒事找事，像我們剛才看到的那種對一個人的特寫鏡頭，在試圖強調某個時刻或得到一個人物的反應時，可能是不錯的。

However, let's switch to an over the shoulder shot when two people are talking, these kinds of shots place him in the scene together, highlighting the relationship.

不過，我們在兩個人說話的時候，換成過肩鏡頭，這類鏡頭把他放在一起的場景中，突出關係。

Sometimes we call it dirtying up the frame.

有時我們把它叫做 "髒了框架"。

Look, I don't even want Beatrice is money.

聽著，我甚至不想要Beatrice的錢。

I said, Do yourself a favor and shut up when I'm talking to you.

我說，幫個忙，我跟你說話的時候你就閉嘴。

Sorry, but when there's no a C, I got a little bit more.

對不起，但是當沒有C的時候，我就多了一點。

So far, we have been using a tripod to film this scene.

到目前為止，我們一直使用三腳架來拍攝這個場景。

Tripods provided more grounded static feeling.

三腳架提供了更接地氣的靜態感覺。

You know, I used to say, Don't speak until you finish chewing your Cheerios.

你知道嗎，我曾經說過，在你嚼完你的Cheerios之前不要說話。

If you keep your mouth shut, stay out of trouble.

如果你閉上你的嘴，就不會有麻煩。

Wow, Maybe I didn't listen enough to that last one.

哇，也許我沒有聽夠最後一個。

However, filming handheld can add a dramatic realism.

不過，手持拍攝可以增加戲劇性的真實感。

It feels more spontaneous and could follow the actors movement at any moment.

感覺比較隨性，隨時可以跟著演員的動作走。

You know, my used to say don't speak until you finished your in your Cheerios.

你知道嗎，我以前常說，在你吃完你的Cheerios之前不要說話。

Well, maybe I didn't listen enough to that last one.

好吧，也許我沒有聽夠最後一個。

While camera moves on the tripod keep the film alive, adding handheld moves can keep the viewer engaged.

三腳架上的攝影機動作可以讓影片保持活力，而增加手持動作則可以讓觀眾參與其中。

Sometimes the uneasiness of the camera can attention to the scene.

有時候，鏡頭的不安會關注到現場。

Listen, I'm trying to help you before a guy a lot less nicer than May fit you in a Paris cement shoes.

聽著，我是想在一個比梅好得多的人給你穿上巴黎水泥鞋之前幫你。

We're talking huge, nasty, tiny little big.

我們說的是巨大的，討厭的，小小的一點大。

What a me ma say about hold up that cut to the phone right?

什麼是我媽說的抱起來，切到手機吧？

When there's a dramatic action, you can syrup the scene and inject a sudden burst of energy with a whip pain.

當有戲劇性的動作時，你可以用鞭子痛的方式，將現場的氣氛合成，並注入突然爆發的能量。

A whip pan is a pan that happens so quickly that motion becomes blurred like this.

鞭盤是指盤子發生得太快，運動變得模糊這樣。

Whip pans can also be used as a transition between two separate shots, creating an effect ful jarring and surprising.

抹布平移也可以作為兩個獨立鏡頭之間的過渡，創造出一種充滿震憾和驚喜的效果。

Let's try adding one in as a transition to the ringing phone would have me must say about, see how much more exciting that felt with a whip pan.

讓我們試著加一個進去作為過渡，電話鈴聲會讓我必須說一下，看看用鞭盤的感覺多刺激。

It really added some urgency to the moment.

這確實給這一刻增添了一些緊迫感。

Forgive me, kind sir, but I got to get this.

原諒我，好心的先生，但我得去接這個。

Yeah, I'm looking at these big, beautiful head right now.

是啊，我現在正看著這些又大又美的腦袋。

So far, the camera has been focused on the hit man for the whole phone call.

到目前為止，整個電話通話過程中，鏡頭一直集中在打手身上。

Because of this, we miss something vital.

正因為如此，我們錯過了一些至關重要的東西。

Yeah, I'm looking at his big, beautiful head right now by doing what we call a rack focus.

是的，我現在正看著他那顆美麗的大腦袋，我們稱之為 "機架聚焦"。

We can draw the viewers attention to new things, forming a connection between two items on screen that have the physical space between them.

我們可以將觀眾的注意力吸引到新的事物上，形成螢幕上兩個物品之間的聯繫，它們之間有物理空間。

Watch how this technique can shift the focus from the hit man to the lawyer.

看這個技巧如何將焦點從殺手轉移到律師身上。

His current guys were staring right at me.

I almost feel bad about all this before this shot of the nail file seemed arbitrary.

在這個指甲銼的鏡頭前，我幾乎覺得這一切都很糟糕，顯得很隨意。

Now the rack focus makes it clear that it's an item that has caught the lawyers attention.

現在，架子重點說明，這是一個引起律師注意的項目。

Can't say you made settling this easier on us, Mrs.

不能說你讓我們解決這個問題更容易了，夫人。

But if we wanted to see me even more important, there are different ways we consume or Dolly in to emphasize objects or emotions.

但如果我們想看到我更重要，我們有不同的消費方式或多利在強調對象或情感。

你可以做一個非常快速的捕捉。

Zoom this immediately shoves whatever it's focusing on into the audiences faces, but it has more of a documentary feel.

放大這馬上把任何它所關注的東西都推到了觀眾的臉上，但它更有紀錄片的感覺。

It might not be the best thing to do in this instance.

在這種情況下，這可能不是最好的辦法。

Instead, let's try doing a slow zoom by doing a slow zoom.

相反，我們可以嘗試通過做慢速變焦來進行慢速變焦。

The background around the nail file fades away, and we focus more intensely on the object itself.

指甲銼周圍的背景逐漸消失，我們更集中地關注對象本身。

This as important to it in a way a stationary shot can.

這對它來說，重要的是以靜止拍攝的方式可以。

Additionally, you can achieve a different feeling by darling in on a subject watch.

此外，你還可以通過親愛的在主題手錶上實現不同的感覺。

This dahling in brings the viewer physically closer to the subject, moving three dimensionally through the space.

這種dahling in使觀眾在物理上更接近主體，在空間中三維移動。

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攝像師做什麼工作對電影來說至關重要？| VOGUE JAPAN (映画に欠かせない、カメラオペレーターの仕事とは？| VOGUE JAPAN)

perspective

reveal

straight

arbitrary