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  • It's time for a behind the scenes look at Life in Japan

  • And all the cameras and technology we use to make this show happen.

  • Well I have always been such a big fan technology: music, computers, video games and cameras.

  • Yes, I can remember my first camera. It was a little digital ELPH Powershot

  • That thing was so cool and compact.

  • Stylish, it had a little zoom there, just put it in your pocket.

  • I ended up taking a lot of pictures with that. I took it everywhere.

  • It would even take little videos, and I thought that was revolutionary:

  • That the same little device could take pictures and videos.

  • We don't think twice about it today because we all have cell phones that do that for us,

  • But 20 years ago, that was something else.

  • So before Ruth and I moved to Brazil I thought "I have got to get a camcorder. I've got to capture this."

  • And at that time, HD was the new thing.

  • And Sony had just come out with an HD camcorder

  • It used Mini DVs, and you put those little tapes in there, and you could record high definition video.

  • Oh wow was I excited.

  • I remember paying $2,000 for this camera, that was a lot of money for us 20 years ago or so.

  • So two years ago, when we went to start Life in Japan, I had this camera right here.

  • This is what I considered my main camera: the Nikon D500.

  • Bam! This thing is pretty legit, as far as a camera goes.

  • Awesome stills quality,

  • The video quality greatly improved,

  • But it didn't autofocus while taking videos!

  • So many times I was trying to shoot videos of the family, and I'd have to be fidgeting with the focus on here,

  • Stopping the video and refocusing and focusing again.

  • I loved the video quality that came out of this.

  • But with so many limitations, it was just not practical.

  • And would hand this to my wife and say "Hey, can you take a video?"

  • And she was like "I don't know what to do with that. Don't even give it to me."

  • Forget about that.

  • And she had been begging all along:

  • She said "Nate, just get me a simple camcorder I can open up and start shooting."

  • That's what I want.

  • And as I looked into it, I came across this:

  • It's the Sony FDR-AX53

  • This camera is the easiest camera I have ever used.

  • You open it up, and it's ready to go.

  • And it only takes a moment to get ready to go.

  • But what was really revolutionary was the in-body stabilization on this thing. It's fantastic.

  • You can hold it with one hand, zoom in, zoom out.

  • You hit record. Bam. You're ready to go. It's recording. It's doing a great job.

  • It's lightweight, it's easy to use. Anybody can use this!

  • You close the screen, it turns off.

  • You want to shoot again? Open it back up, and you're shooting.

  • What I found was that more often than not, instead of grabbing for the Nikon,

  • Which is technically a superior image, better lenses, blah blah blah blah blah blah blah

  • But a pain to use, Instead of grabbing for this...

  • I went for Ruth's camera. And more and more I was using Ruth's camera, and loving it.

  • And the grill master. That's right.

  • We've got onions, potatoes and corn.

  • Hi! Hi!

  • Whoa! Do you like that? Is that your favorite?

  • And honestly, this is the camera we used all the up through the summer of 2019.

  • Tons of our videos were shot on this.

  • And outside, in light, it does a great job.

  • Indoors, it struggles a little more, because it has a smaller sensor in it.

  • But outside, nothing can beat this camera. It's handy. You through it in your bag and you go.

  • And it's a much better quality than an iPhone, say.

  • And, another amazing thing about this is that I think the internal audio is some of the best audio I've ever heard for any kind of camera.

  • You can literally just take the audio right off of this and you're ready to go.

  • What are we doing? Blowing bubbles.

  • Hey big guy!

  • Oh my goodness!

  • Sony's handycam absolutely nails it.

  • In fact, if I were able to, I would just keep using this.

  • What is it today that you do? A big huge earthquake drill.

  • Oh, an earthquake drill? Yeah, no, like a HUGE earthquake practice.

  • After the Summer of 2019, when Life in Japan saw breakthrough success, I decided to look for a dedicated camera to shoot our episodes.

  • I settled on the robust Canon XF400. This little tank of a camera comes with good audio and video options,

  • including many things I missed in the Handycam like built in ND filters and professional audio options.

  • The highlight feature for me though was the bigger image sensor that greatly improved the image quality.

  • Up until now, it has been our main A camera.

  • When I upgraded to this Canon [camera], the internal audio was not as good as the Sony I'm using to record on right now.

  • But, you could make up for that by using the shotgun microphone on here which does a great job picking [audio] up.

  • But I noticed it would only pick up things right in front of you,

  • When I would talk to the camera at different times, you couldn't hear it very well.

  • So that's when I researched and found this.

  • This is a Rode Stereo Mic.

  • It shoots it two directions, you can see left and right,

  • And it has fantastic audio.

  • Instead of using this massive microphone mounted on top of here,

  • I'm able to take this off and use the Rode microphone 95 percent of the time.

  • And that's the way we roll.

  • And then there's also a lot of specialty shots in Life in Japan.

  • Like those beautiful areal shots.

  • Well, a lot of those come right from here — the drone.

  • This thing is small, you can fold it up, take it with you.

  • It's easy to use, it's fun to use, it's safe to use.

  • And you get great areal images with that.

  • Another thing I love to use,

  • This little guy right here: the GoPro.

  • GoPro's are awesome because they're waterproof, they're tough, they're durable.

  • They have a really wide angle of view.

  • So you can hand them to kids and let them run through a playground.

  • You can mount this on your car and take a time-lapse while you're driving. Very cool.

  • And last, but not least,

  • Perhaps the most important camera that we use on Life in Japan,

  • Is this right here: it's the iPhone.

  • Because this is always in my pocket, so many times I've pulled this out just to grab a little clip of something that was happening.

  • And these [clips] are a huge part of Life in Japan.

  • After all the footage is shot, then comes the real task of editing.

  • Which is importing all the footage that we shot,

  • Organizing it and getting it ready to edit.

  • To store all of this footage, I bought a 12TB hard drive array.

  • This little monster by G-Tech is awesome,

  • But I've used 11TB of it so far, I'm going to have to look for the next biggest thing.

  • Which is not cheap.

  • I also produce music, so that's why you see all these keyboards here.

  • Because a lot of the songs that I write, I write for Life in Japan as well as for Paz Church and different places.

  • So much of my time is spent like this: editing at my computer.

  • I have a MacBook Pro which I bought specifically for editing video and producing music.

  • And I've connected it to my nice big monitor so I have plenty of screen real estate to use when I'm producing things.

  • And this really helps.

  • Once the video is all done and edited, the music is in, then it's time to subtitle everything.

  • I write out everything that is said, it usually takes a couple of hours to do that.

  • And then I send it to Ryoji and Miruka who translate it into Japanese.

  • There is a lot that goes into each one of these videos.

  • Then, once that's all done, you're still not done!

  • Because perhaps the most important part of the YouTube video is the title and the thumbnail you put on it.

  • Yeah, there you go. Smile! Go "Ah!" Ah!

  • You can make a great video, but if it has a bad description, or a not so good thumbnail, then it won't get watched.

  • The reverse is also true: if you make a great thumbnail, a great title.

  • Oh! People go in — they want to watch it, but it's not what they're expecting,

  • Then they're disappointed.

  • Sorry if I've done that to you before. I'm trying to learn!

  • Hey Dude! What do you think? Did you see this?

  • Is that cool? Do you like it?

  • When you're finally feeling good about the thumbnail, it's a huge relief.

  • Today was supposed to be the day that the olympics were starting here in Tokyo.

  • Since that's not happening, why don't you go to Life in Japan and watch Summer Weekends in 2020 — you'll love it!

  • And the weekend tradition continues: watching Life in Japan together!

  • So thanks for watching this episode of Life in Japan.

  • It's quite a bit different from the other ones that I've done before

  • But if you like it, give it a thumbs up,

  • We'll see you next time on Life in Japan.

It's time for a behind the scenes look at Life in Japan

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我們如何在YouTube上製作視頻|生活在日本 第66集 (How We Produce Our Videos for YouTube | Life in Japan Episode 66)

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    Summer 發佈於 2021 年 01 月 14 日
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