What you're about to see is a documentary I shot back in the late 19 sixties off this incredible French designer dress designer Treasure the top top top, top top.

And I was a young filmmaker.

I get to see the behind the scenes, and what you're about to see is a bit of what I saw.

It affected me profoundly.

It taught me something about the kind of precision vision focus required to do something as great as what she did with the things I was going to do.

So forget the assistant.

He runs around every nervous.

He's frightened all the time.

That's that's the style of a New York fashion designer.

Top of the line.

Forget the model.

She is a mannequin.

That's how she's treated.

It's a little offensive, for sure, but that's the way it is.

Watch to share.

Focus, intensity, vision, detail.

Quite incredible.

Hope you enjoy it.

You want to come?

Please, That we're going to see if we can do.

But you don't see that shows you.

Oh, no, not down.

Could you walk away except come here, then the shoulders out of shock.

I don't want No.

Yeah, I know, but I've actually because, you know, here I want everything.

Leave me.

May I please have a nice cup of hot coffee to warm it?

Yes, it Take it.

Take it up from the bags.

Do.

And I don't like the color.

So how was the first color?

You know I know.

I wanted to feel that low.

Come here.

Come here.

Yes.

I want this color to be away from the neck.

And you see, I put you think you're seeing I want in the nude.

Then you didn't it that we have.

You have some, but I want to show you what I wanted to Kansas thing.

Extremely Jude like this, but much more.

This is that under on the net.

I just want to get this very jude with my necklace so that it looks like it comes out from here.

Mr Just would take a beautiful fabric and start draping.

And it didn't get something beautiful.

Artifacts by cuts.

It just somehow starts in a certain line, and then it grows into something into a seat.

But he has a very strong feeling for fabric and by touching it and manipulating it.

She gets the right idea what it should be and how to.

And by doing it a life model.

I like the insulation off man of the body.

It's through this way because it certainly gives me more than just a plain dummy.

That's where we keep those girls in here.

Otherwise I will need him at all.

You know, I could work on those planes sometime.

I can.

Now here I like the transparent of you.

See what it does and the glitter.

No, it's not a last hit.

I have to work a little more.

I think that I have to do with this something that's going to let my woman show true.

I think that I should make a dress loose in love.

So that body, which will be covered by slipped tight form fits lip.

Mitzi would show too.

My, uh, design, which is going to be lose.

I think sometime I may spend and now to doing this and then destroy it completely.

It may not work out.

Sometimes you do things like this in about two minutes and he just comes out.

So I don't know.

I tell you Sometimes we have addressed kicking around for a long time, and it just pushed aside all the time.

It has nice lines, but nothing special.

And then family pulling takes it and adds a little detail or cut something away.

And it's something great and fantastic.

Everybody loves it.

It's just that little touch that she has.

Which gives you this, that magic.

You have a big piece of jewelry.

A nice big one.

I don't want a full dress, but I want Daisy to dance without something.

It's not big enough.

I know.

I'll show you.

I'm going to be.

I want to be almost like a real debate.

But much lager is good.

No more for you, but yeah, but not like a big so that I can catch the right in the front.

Livia, this one I want to do no next type place or something.

This is certainly for the lady who goes out.

It is.

And I left you in this.

No, hold on, because that's quite expensive.

No order here for me.

I don't want to cut a long lead.

You know, cutting and stabbing that $28 a yard is not something that I love to do it, but no ideas come continuously to flow.

And when you are in the midst of working as I am, the more you work, the more it comes because one thing leads to the other.

One.

Garment leads to the evolution of the other ones.

Sometimes you make a beautiful big evening breath and it doesn't come out.

Or maybe he'd come back.

But you see the possibility of something shocked that you could translate in tweeds.

Nothing like this I can't explain.

It is a process.

It's, uh, I don't know.

It becomes so natural to me.

As I said, I think about clothes when I go home in my bastard by read Ideas Come Flowing gets only the top that you never have the time to really make the clothes.

You just saw a portion of my movie.

There's other clips on my channel.

If you would like to Seymour subscribe.

If you are already subscribed, think about helping me out.

There's stubble Ewww that.

Paypal dot com forward slash me forward slash david Often films.

It'll give me the chance to spend more time doing this or patri on dot com forward slash all in a day I would really appreciate it.