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One of the most surprising aspects about one of the saddest of all human possibilities,
suicide, is that the suicide rate goes up markedly the richer and more developed a society
becomes. We might expect suicide rates to vary across time and place, but not to increase
alongside developments in wealth, comfort and security. That we should be unwittingly
creating nations in which more of us end up killing ourselves at our own hands appears
to negate the whole purpose of economic growth. Nevertheless, the disturbing connection was
first conclusively identified towards the end of the 19th century by the leading French
sociologist, Emile Durkheim – and has continued to be noted ever since. The suicide rate of
an undeveloped country like the Democratic Republic of the Congo is a fraction of the
rate in a developed nation like South Korea. The crucial factor behind people’s decision
to end their lives is not really wealth or poverty. As Durkheim discovered, it is the
extent to which the surrounding culture ascribes responsibility for failure to individuals
or else maintains a faith that poor luck, or divine intervention is to blame instead.
It so happens that as societies become modern and industrialised, they very frequently give
up their beliefs in demons and gods and start instead to trust in a meritocratic, individualistic
philosophy that suggests to people that their fate is always in their own hands. This may
sound generous but it carries an immense psychological burden, for it means that – when failures
occur – the individual is held entirely responsible for them. Reversals start to seem
like a horrendous judgement on one’s worth and a public humiliation from which there
may, at the extreme, seem no escape other than through annihilation.
There are two big cultural ideas that may help to mitigate the pressures upon us: Luck and Tragedy.
To believe in Luck is accurately to observe that merit and success are in fact never reliably
aligned; one may be a fool and win – or a virtuous person and fail. If we fully internalise
and widely share the notion of luck, then the shame of failure will be greatly reduced
and our agony along with it. We will be able to admit, publically and to ourselves, that
decent people can fail in their outward circumstances and, therefore, that professional success
isn’t the only, or even, the crucial marker of the merit of human beings.A Tragedy, as
it originated in Ancient Greece, is the story of a capable and intelligent person who happens
to make a small mistake – which, however, leads to appalling consequences. The point
of presenting such stories in very public ways (at Greek festivals the entire community
had to attend) was to continually renew acquaintance with a hugely important idea: that one can
be a likable, even admirable person, and end up in an utterly desperate situation. Tragedy
is the careful telling of how disaster can come into the lives of people like (or even
a bit nicer) than us. They – and hence we – are always deserving of compassion rather
than contempt. Durkheim knew that it is not prosperity by itself that increases the suicide
rate, the toxic element is an unwittingly cruel culture that assigns a high burden of
responsibility to us, while seeming to deny the truth that chance and tragedy will of
course always continue to affect our destinies. The real solution to a high suicide rate lies
in an unexpected place: an ideology that firmly reminds us that we are never the sole authors
of our destinies. and therfore should neither panic nor celebrate when we win or loose.
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The Origins of Suicide

16 分類 收藏
林宜悉 發佈於 2020 年 3 月 25 日
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