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Hey, it's Marie Forleo and you are watching MarieTV, the place to be to create a business
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and life you love.
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You know, if you've ever been in a position where people have told you that you don't
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have what it takes to go for your dreams, this episode is a must-watch.
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Amanda LaCount is a professional hip-hop dancer, choreographer, actress, singer, model, influencer
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and body positivity advocate whose videos have received over 70 million views.
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Amanda has her own movement #BreakingTheStereotype, which promotes body positivity and the belief
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that any body can be a dancer.
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She's been on The Ellen Show, Dancing with the Stars, The Voice, and alongside Meghan
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Trainor on The Radio Disney Music Awards.
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She has choreographed and danced for Ryan Blythe's “Raise a Glass” music video,
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appeared in Katy Perry's “Swish Swish” music video and helmed her own national dance
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tour Amanda LaCount Live.
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Amanda, thank you so much for being here.
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Yeah, of course.
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I am very excited.
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We are excited to have you.
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Obviously, I stalked you for awhile on Instagram.
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You are so inspiring.
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I love your dancing and I loved our connection.
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I'm thrilled that you're here.
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I would love you to take us back to the beginning.
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When did you start dancing?
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I started dancing when I was two, so pretty much like my whole life I've been dancing.
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Do you feel like...
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When you look back, whether it's video or images, like did you just kind of pop out.
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I remember when I was a kid I see old home videos of like spoons and like moving in my
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diaper.
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What that kind of like how you were?
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I think, yes.
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But, there's one picture I have, I think I was like a year and a half, like very little,
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and I had big sunglasses on and I was like posing.
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I look at that picture and I'm like, "Oh."
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I didn't know I was going to be a dancer but I knew I was going to be a star, something
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in the entertainment industry because I love being the center of attention, I guess, even
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when I was a year old.
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So, I read that part of what inspired you was seeing your sisters on stage?
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Tell me about that.
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So, I have six siblings, so big family.
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My two older sisters they were into dancing.
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I would always go to class with them but I wasn't dancing with them.
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I'd be looking through the window and I would just be bouncing up and down.
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My mom would see that.
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I think she just realized that I really wanted to be in there with them.
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She enrolled me in like the combo classes, the ballet, tap, jazz, and I've been taking
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class ever since.
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Yeah, so you knew it.
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So you felt it.
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Once you got in there it was like, "This is my life's passion."
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Definitely.
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So, I also read that one of your earliest teachers shared that you have this ability
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to memorize choreography fast.
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I'm so curious because, as I shared with you when we were DMing back and forth, I started
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my dance journey...
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I never took a class until I was 25 which, as you know, very, very late for the dance
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world.
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One of the things I used to beat myself up about was because I couldn't memorize choreography
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fast.
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I have a feeling it's very different for you.
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Yeah.
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It's not something you can kind of...
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You can practice it but it's either like you have it or you really have to work on it.
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Luckily for me I kind of have always just been really good at memorizing choreography.
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One year, actually, I was maybe like 10 or 11, or maybe even younger, I had 17 numbers
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in one show.
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I memorized them so easily and that's when people were like, "Okay, that's like not normal.
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I don't know how you're memorizing that much," because my sister who was in the same recital
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was freaking out over having five routines.
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I was like, "That's nothing.
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That's nothing.”
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She was like freaking out.
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I've kind of always just always had that ability to memorize really quickly.
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That's so cool.
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So, when you're in a class is it almost like you see the teacher do the moves and it just
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feels like it downloads like it's so...
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Not quite like that.
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I think what happens is...
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I mean, after I do it like two or three times I have it, but really helps is when they play
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the music, because then when I hear the music with the steps it just like connects and matches,
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and now every time I hear the music I think of those steps.
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Interesting.
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So, it's not like I can forget the step if the song's playing.
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It's weird.
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Yeah.
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Once I hear the steps with the music it like clicks.
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Interesting.
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Okay, so something happened quite significant when you were about 10.
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Tell us what you experienced.
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When I was about 10 years old this certain studio director in Colorado where I'm from
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he begged me to come to his studio, like begged me because he had seen me perform at competitions
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and stuff like that.
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The dance world in Colorado is pretty small, so everyone knows each other.
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We see each other all the time.
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He begged me to come to his studio.
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My mom and I were like, "Okay, we'll give him a chance."
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Like why not.
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I had an amazing year.
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I won this, this, this, whatever.
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It doesn't matter about that but I did really good that year.
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He asked to have a meeting with my mom and I. I don't know about my mom, but personally
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I thought it was going to be a check in type of meeting.
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"Oh, you did this this year and this is where I see you going next year, and things like
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that."
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But, that was not the case, and he sat down with my mom and I and he goes, "Hey, I'm sorry
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but Amanda's body type just doesn't fit my vision for my team," and kicked me off my
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team.
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Oh, off my team, and kicked me off his team.
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I was...
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People always ask me like how I felt in the moment and, yes, I was sad but I was more
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like shocked that he even said that, that came out of his mouth.
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I was like, "I did nothing to deserve this.
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I worked so hard.
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I did so good and he's kicking me off just because I don't have the right look, I guess,
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to be a member of his team."
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It was very hard to hear that, obviously, because that was kind of my first experience
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of someone telling me that like my body isn't right for dance, like face-to-face.
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It was really hard to hear that from someone that I kind of looked up to.
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I was training with him for a whole year.
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I mean we got pretty close, and to hear that from almost a friend was like, "Whoa."
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Really devastating?
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Yeah, definitely.
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But, I left, obviously, and my mom encouraged me to keep going.
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It was hard.
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I wanted to stop at some point, stop dancing.
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Close in, like was it close to that experience?
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Do you feel like if you wanted to stop dancing it was because of that comment?
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Yeah.
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It was like if he thinks this then is everyone going to think this?
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Is it even worth me investing my time and effort and all this if no one's going to give
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me a chance?
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It was like, "Do I try or should I try to find something else?"
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Tell me about that exploration in yourself at 10 or 10-1/2.
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How did you...
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Because anyone of us, anyone watching, if someone said that, or something similar, to
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you at that tender age about your dream, or even as an adult.
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If you're in your 30s or your 40s or your 50s, and someone who you trust, who you've
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worked with, comes in and has a comment like that, any one of us would understandably pull
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back.
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Yeah.
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What turned it for you where you were like, "mm-mm"?
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I think it turned from me being like devastated and feeling so down and bad and all that to
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me feeling like confident.
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I think it was just I realized...
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There was like a switch in my brain that went from like, "Oh, my god, I'm terrible.
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I should stop dancing," to "Oh wait, no he said that but I want to show him that I can
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do it."
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So I don't know what happened like in my head but just one day I think it just like clicked
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for me and I realized, "Wait, I can't let him just like make me stop dancing.
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This is what I love to do.
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It's the only passion I've ever had."
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So, it's like, "I can't just stop because one person that doesn't even matter said that."
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Yes.
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So you kept going.
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You've also shared this.
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You've said, "The media tells us that if you aren't skinny you aren't beautiful.
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This is especially true in dance where the underlying stereotype that is to be a dancer
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you must be tall and skinny and Caucasian."
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You were told by many people, peers, parents of peers, dance teachers, studio owners, strangers,
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even Richard Simmons, that you were too fat to be a dancer.
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"But I am here and I've proved them wrong."
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You're so dedicated.
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You work so hard.
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I think for any of us, no matter how much we believe in ourselves to consistently hear
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hurtful words, it's tough.
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How, at this stage you're at now, where you've had success, you're building your success,
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you are such a role model.
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How do you respond, whether it's in person or even on social media when people have hurtful
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comments, or do you just move past them at this point?
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Most of the time I don't answer, just because the reason they're doing that is for the attention,
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so I try really hard no matter how bad it is not to answer.
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But, every once in a while if I see something I'll comment back but not as like an attack
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to them.
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I'm never like mean and like, "Oh, my gosh, how dare you."
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I never go that route.
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If I do comment it's always a witty comment or like a funny comment.
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So, for example, someone put, "Oh we all all no one's ever going to book her."
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I was like, "You're right, only Katy Perry, Meghan Trainer and Ellen."
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That's what I said.
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I love comments like that because it's not like I'm attacking them or their character
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or anything like it.
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It's just like, "Well, you're kind of wrong."
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It's just like, "Um, well..."
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Factual, and you're responding through your own heart and through the hard work and the
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success you're creating.
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Yeah, so make sure you know your facts before you try to come for someone.
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This is why I love you so much.
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So, following your dreams no matter who you are takes tremendous dedication.
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Tell me about when you guys were still living in Colorado and you and your mom would take
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these 16 hour round trips to L.A. every weekend.
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What were you doing and what was that for?
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So, when I was about 12-13, I want to say, so two years after the incident with the one
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guy happened, there was a dance crew called Latin Flava, and my mom was going through
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Instagram and saw that.
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She was like, "Oh, Amanda would be perfect for this."
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I don't think she realized that...
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Like this is weird but she sent the producer my videos and my resume that had nothing on
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it, like nothing.
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It was recital 2010.
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I was like, "Oh my god."
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That is not a resume.
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I don't know how she had so much confidence but she sent in my stuff and was like, "Hey,
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my daughter would be a great asset to your crew," or whatever.
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This crew had some of the best kid dancers.
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They had Kaycee Rice and Jordyn Jones and Lexee Smith.
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These were all big kid dancers at the time.
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Then she's sending me, like this nobody from a small town in Colorado.
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I was like, "Okay, Mom, sure send it in.
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Whatever."
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But, the producer actually came back to us, and she messaged us and said, "Hey, I love
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your daughter.
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I would love for you guys to come out and rehearse and perform with us."
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I was like, "Oh, my god."
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Me and my mom I actually have a memory.
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We were in the kitchen and we played “Celebrate” and we were dancing and we were like, "Whoo,"
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because we were just so excited that I get like an opportunity in L.A., because that's
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a big deal.
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But, the rehearsals were every weekend, and sometimes we had performances, too, every
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weekend.
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We would drive 16 hours each way, so 16 hours to California and then 16 hours back.
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And, I was not home-schooled.
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Many people think I was home-schooled.
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I've never been home-schooled in my entire life, and I just graduated last year.
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Wow.
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I've always been in...
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Well, I was in private school til sixth grade, but after that I was in public school the
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rest of the way.
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It was very hard trying to manage homework, and then dancer teams, and then practicing,
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and then a social life...
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A 16-hour each way commute.
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It just speaks to your dedication, and it speaks to your passion, and also your beautiful
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mom.
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Yes, oh my god, she is so supportive.
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She would like do anything just to get me on a stage for one performance.
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She would do anything.
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Well, she loves you so much and it's clear because you're so talented at what you do.